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DANIEL GROENEWALD

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Daniel gave up his dayjob in 1999 to pursue a career in writing, but shortly after IN THE LIGHT OF MIDNIGHT had been completed, he was forced back into commerce to meet financial obligations.

He made meagre attempts at procuring representation for the book but was unsuccessful. The manuscript soon landed in “file thirteen”; however, he kept jotting down ideas for future books. One of these was a one-pager of a conversation between a man and his inner voice. His girlfriend at the time read this and remarked, “This should be out there”. It resulted in the completion of a second manuscript Truth Matters, later renamed FROM STRAW TO FREEMAN. History repeated itself, and this manuscript landed in the same file.

Some years later, Daniel was driving when a thunderstorm broke. As the drops crashed onto his windscreen, he wondered what these drops may have gone through to land up there. Upon arriving home, he sat down and began writing the journey of an individual drop called Splatt. When his flatmate (and dear friend) returned late that evening, she called up to the loft where his desk was:

“What are doing, Daniel?”
“I’m writing a movie script”
“Can I see some?”
“Sure, I’ll print 10 pages for you.”
An hour later she called up again:
“Please print more.”
“I only have five more pages. I’ll let you have them.”

It took almost a month to complete SPLATT, and the pattern was the same: upon arriving home each night, his friend would ask, “What’s Splattie doing?” and Daniel would print what he had written that day.

Once SPLATT had been completed, Daniel googled “film agents”. All he could find was individuals who might be able to put him in touch with an agent for a fee. He clearly hadn’t done any homework before writing a script. So, he turned to the Writers Yearbook and found a single entry for “Animation” in the index – an agent based in the UK. He mailed the agent a sample, and to his utter joy, the agent responded with a contract to represent him. Wow! He googled the agent and saw that he was part of a team that brought a well-known animation series to television. Double Wow! The agent spent many hours editing SPLATT, but Daniel and he fell out when the agent wanted to change Splatt’s character. The relationship soured and “file thirteen” grew.

It was around that time that a friend – an alcoholic in recovery – invited Daniel to attend an AA meeting. Everything that was said during that meeting went grossly against Daniel’s grain. After all Daniel had beaten a cocaine addition by inner strength. That night he wrote down the Constitution for Alternative Addicts which formed the framework for his next book THE LESSER SPOTTED ADDICT. Determined not to let the dreaded “file thirteen” burst at the seams, this book was published in 2012. Although it wasn’t a huge commercial success, Daniel says that receiving emails that said the book had changed mailers’ lives was reward enough.

Fast forward to New Year’s Eve 2023. As a new year’s resolution Daniel decided to revisit “file thirteen” and convert the script SPLATT to a book, which has now been released.

AN AUTHOR IN REVERSE?

It would seem so, because Daniel, chronologically, publishes the last written first. But he says this trend may be broken if IN THE LIGHT OF MIDNIGHT is released before FROM STRAW TO FREEMAN. He adds that HORSE and other one-page ideas may further interfere with this unusual trend. Time will tell.

SPLATT Cover
FICTION & LITERATURE

SPLATT

BY DANIEL GROENEWALD

In Groenewald’s fantasy novel, a droplet at the bottom of the sea is determined to see the wider world, no matter what it takes.

Jonathan Drop is a curious and rebellious young drop of water living in Sea Drop Village, located on the ocean floor, where everything is gray. At school, he learns about the various rules and mythologies that govern his society, but Jonathan refuses to conform. He wears a “funky, gelled hairstyle,” insists on being called “Splatt,” and doesn’t blindly believe everything he’s told. After venturing into the open ocean to retrieve ink from an Ink Fish and meet a red drop—something he was told was impossible—Splatt becomes preoccupied with finding more colors in the fabled Colorland. Just as he and his girlfriend, Lara, are about to set out on their adventure, under the cover of night, they get separated by strong currents. Splatt comes face-to-face with dark truths of the open ocean, including a war being fought by armies of different-colored Drops. Lara, meanwhile, finds herself stuck with a cultlike group. In order to reunite in Colorland, the two Drops will have to form their own opinions about the world for the first time and follow the red drop’s advice to let go “of the way [they] know.” Groenewald’s story is presented in a manner that features elements of a screenplay format, which lends itself well to the overall animated-family-film feel. Splatt’s journey is reminiscent of those taken by Pinocchio or Z from the film Antz (1998), with cute descriptions of anthropomorphized water drops sitting side-by-side thinly veiled representations of troubling, complex ideas—including, in this case, racism and addiction. Some of the secondary characters’ ideas are uncomfortable (“we just don’t mix with them”), but the story takes a firm stand against them. Throughout their undersea adventure, Splatt and Lara urge other drops to broaden their horizons and resist hate, offering a good lesson for readers of all ages.

An inspiring tale of a troubled underwater world with clear metaphors for real-world divisions.

Pub Date:

ISBN: 9798301714146

Review Posted Online: Oct. 29, 2024

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