Pooh might describe this 1925 offering from Milne as a Very Small Tale, and so it is, but gentle and sweet withal. Princess Daffodil is the only daughter after six sons of the king and queen, and at her christening the Fairy Mumruffin grants her the gift of flowers, which will grow wherever she steps. When the princess begins toddling about the king’s favorite thinking place, strewing flowers everywhere, the king decides she must keep off the paths entirely. After a few years of this, the doctor pronounces that she must do what little girls do: “She must run about more. She must climb hills and roll down them. She must hope and skip and jump.” So the queen finds a solution in a small hill, where Daffodil can do all those things to her heart’s content, and where children play and pick the posies she makes there. Brown, who remembered the story from her own mother’s telling, who remembered it from her mother, has created delicate and winsome illustrations that are also precise: the various species of flowers are easily identifiable. Children will be charmed by the little doll-like faces of the characters and the excellent fairy colors, pastel-colored to jewel-toned as needed. (Picture book. 4-7)
Pub Date: Feb. 1, 2000
ISBN: 0-525-46147-7
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
BOOK REVIEW
BOOK REVIEW
Swinburne sets out to teach young children about how shadows are created, describing night as a shadow on the earth, and giving children tangible reasons for why shadows vary in size, shape, and location. The latter half of the book invites readers to guess the origins of the shadows in vivid full-color photographs; subsequent pages provide the answers to the mysteries. A foreword contains information regarding the scientific reasons for shadows, which can be explained to small children, but it is the array of photographs that truly invites youngsters to take a closer look and analyze the world around them with an eye for the details. (Picture book/nonfiction. 3-5).
Pub Date: Feb. 1, 1999
ISBN: 1-56397-724-9
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
Deliberately constructed, Wilson’s wordless picture book makes an adroit and whimsical artistic statement and invites audience participation. On the title page, a child’s hands reach toward a bundle of colored pencils dangling from a branch; the pencils are in bright colors but everything else is sketched in black and white. In careful detail, the child draws a magpie seen on a branch outside the window (perhaps the same branch where the pencils were hung) and when the drawing is completed, the bird flies away from the paper. The child draws cherries, shimmering red on the page, and the bird eats them; the child draws an orange balloon, which the bird pops. Things get a little dangerous when the bird grabs a piece of yellow that sets the page afire and then scribbles blue water that makes a mess. Drawings and events co-determine each other: the child has cages the magpie, the bird grabs the eraser through the bars and escapes the cage, and so it goes, to a last laugh when a claw seizes the pencils and makes a brilliant rainbow of feathers. The only words are the names of the colors, appearing at the end. The realistic drawing style and the use of saturated color on an otherwise black-and-white page are an arresting combination. (Picture book. 3-7)
Pub Date: March 1, 1999
ISBN: 0-8037-2354-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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