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ONE SKY

Lyrically dazzling, artistically stunning.

Stained glass–like cutouts depict the sky from dawn to dusk.

Caldecott Honor author/illustrator Becker takes readers on a visually striking, poetic journey through the day with the vibrant sky as the backdrop. The board book opens, “Its dawn begins in darkness,” and a swirl of thick black lines and geometric cutouts scrawl across the page. The cutouts, scattered throughout, have colorful, translucent inserts. Holding them up to a light source (for most success, try a sunny window) gives these a stained-glass effect in a palette matching the page. Each cutout complements the page that it is first found on as well as the next layout, mimicking the way the sky shifts subtly throughout the day, with colors evolving and deepening but not completely vanishing. Becker’s blend of hues is strategically chosen to resemble the delicate mix of blues, purples, and pinks that accompany an early morning sky. As the day progresses, there are orangey pinks, light blues, and little white patches that suggest clouds. The darkening sky at dusk reflects the morning’s pinks and purples until it becomes a dark purple with white sprays of stars: night. Between Becker’s poetic text, featuring satisfying alliteration (“We wonder at its wildness”) and the amazing sense of movement and color, readers are treated to a feast for the ears, eyes, and imagination.

Lyrically dazzling, artistically stunning. (Board book. 2-6)

Pub Date: Sept. 6, 2022

ISBN: 978-1-5362-2536-5

Page Count: 16

Publisher: Candlewick Studio

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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LITTLE BLUE TRUCK'S CHRISTMAS

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...

The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.

The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)

Pub Date: Sept. 23, 2014

ISBN: 978-0-544-32041-3

Page Count: 24

Publisher: HMH Books

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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