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CALL ME AMERICAN

A MEMOIR

A searing memoir filled with horrors that impressively remains upbeat, highly inspiring, and always educational.

Born to extreme poverty in 1985 in war-torn Somalia, Iftin chronicles the extraordinary obstacles he overcame to obtain residency in the United States.

The author’s parents—and almost everybody of their generation in a lower-caste Somalian tribe—lived outdoors as nomads, raising camels and goats. They had never heard of the U.S. and only had a vague idea of Somalia as a diverse nation that had been colonized by Italy. Six years after Iftin’s birth and shortly after a devastating war with Ethiopia, Somalia descended into a tribal civil war that left millions dead, starving to death, or homeless. Amid a seemingly hopeless life filled with daily study of the Quran and corporal punishment from teachers if the memorization was less than perfect, a preteen Iftin became a combination of dreamer for a better life and street hustler to supply his family with scraps of food. He found a way into a ramshackle video store, where he violated Muslim tenets to view American movies, painstakingly repeating phrases to himself to learn English. “The things I saw in the movies seemed unreachable,” he writes, “but at least I could learn the language they spoke.” Eventually, the narrative shifts from his life of quiet desperation on the streets to his then-unrealistic plan to leave Somalia. The author reached a fetid refugee camp in Kenya and was able to obtain a visa to enter the U.S., where he knew nobody. Explaining how Iftin reached the U.S. would involve a series of spoilers, but suffice it to say that he did achieve entry four years ago, after which he found lodging, paid work, and formal education in Maine, where he plans to attend college. The author felt secure and optimistic there until the election of Donald Trump.

A searing memoir filled with horrors that impressively remains upbeat, highly inspiring, and always educational.

Pub Date: June 19, 2018

ISBN: 978-1-5247-3219-6

Page Count: 320

Publisher: Knopf

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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