Evocatively captures adolescent earnestness and idealism for living meaningfully.
Three Vancouver teens on the cusp of graduation set off to join a community on an island in British Columbia’s Gulf Islands.
The thought of going to The Evergreen has appealed to Olivia ever since she found the commune’s promotional brochure as a child. Disillusioned with the grind of modern life, Oli and her two best friends, Liam and Milo, agree to run away to live there together. A run-in with a bully on the penultimate day of high school and an initially unexplained conflict with Liam derail Oli’s original plan, however, leaving her without her backpack of supplies—and with Milo and Alvin, Milo’s crush, as her traveling companions. As they make their way across the island, Oli plows through obstacles—sustaining injuries, getting lost in the woods, and accidentally abandoning camping gear—with single-minded determination, brushing off the consequences of her impulsivity and conflict avoidance until they suddenly catch up with her. Visual references, including Oli’s flip phone, AOL Instant Messenger, and Milo’s camcorder, establish the 2007 setting. Oli’s frustration with the demands of capitalist society will resonate with contemporary readers. The portrayal of the teens, who are alternately goofy, angsty, brash, and self-conscious, is convincing, particularly in their banter and bickering. The illustrations use dynamic perspectives to emphasize moments of strong emotion, while monochromatic shading in muted colors conveys different moods. The characters are racially ambiguous; Oli’s mom has a Korean name.
Evocatively captures adolescent earnestness and idealism for living meaningfully. (land acknowledgment) (Graphic fiction. 13-18)Pub Date: March 5, 2024
ISBN: 9781774880739
Page Count: 240
Publisher: Tundra Books
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
PERSPECTIVES
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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