Seriously, please stop.
Cleaned-up vocabulary makes You Have to Fucking Eat (2014) palatable for a child audience—but it’s still a picture book for adults.
Just as Mansbach followed up on the success of Go the Fuck to Sleep (2011) with its tamer companion, Seriously, Just Go to Sleep (2012), this title is billed as “the children’s version” of its more colorfully titled counterpart. While the absence of f-bombs will make most adults more inclined to share it with their finicky progeny, the voice remains one of adult exasperation, not childish agency or transformation. The ethnically diverse children depicted in Brozman’s digital illustrations doggedly refuse all entreaties and pleas to eat—not one caves and tries something or decides to like it, à la Sam I Am’s antagonist in Seuss’ picky-eating classic, or otherwise takes the story’s reins. That’s all well and good, but it relegates the text to the domain of adult venting, which undermines its status as “the children’s version.” In a mildly clever call-back to the prior books about going to sleep, the closing lines admit failure in nourishing the fussy child and then say, “But on the bright side, maybe this is the night / You seriously just go to sleep.” Will this series be put to bed now? Or will other parenting travails provoke yet more cathartically crass titles and toned-down companions?
Seriously, please stop. (Picture book. 3-5)Pub Date: Oct. 6, 2015
ISBN: 978-1-61775-408-1
Page Count: 32
Publisher: Akashic
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
If Black Lives Matter, they deserve more specificity than this.
A lushly illustrated picture book with a troubling message.
Little Lala walks with her father after his successful day of fishing. When Mama calls her home for bed, a host of “good night”s delays her: to the bird, the monkey, and even the rock. As Lala wanders through her village in the darkening twilight, readers appreciate its expansive beauty and Lala’s simple joys. Although it’s been artfully written and richly illustrated by an award-winning author of many multicultural stories, this book has problems that overshadow its beauty. “African veld” sets the story in southern Africa, but its vague locale encourages Americans to think that distinctions among African countries don’t matter. Lala wears braids or locks that stick straight up, recalling the 19th-century pickaninny, and her inconsistent skin color ranges from deep ebony like her father’s to light brown. Shadows may cause some of these differences, but if it weren’t for her identifiable hair, readers might wonder if the same child wanders from page to page. Perhaps most striking of all is Lala’s bedtime story: not an African tale but an American classic. While this might evoke nostalgia in some readers, it also suggests that southern Africa has no comparably great bedtime books for Lala, perhaps in part because American children’s literature dominates the world market.
If Black Lives Matter, they deserve more specificity than this. (Picture book. 3-5)Pub Date: March 14, 2017
ISBN: 978-0-399-17384-4
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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