by Adam Mansbach ‧ RELEASE DATE: Sept. 26, 2023
A farcical spin on the Jewish plight.
A 9 ½-foot, 400-pound golem, built out of stolen clay by a stoned Brooklyn art teacher, heads south to tear limbs from antisemitic limbs at a post-Charlottesville rally.
The Golem, we learn, is a reincarnation of sorts of the Golem of Prague, who, Jewish folklore has it, perished at Babyn Yar along with more than 33,000 Jews. He's a bit out of it at first blush, able to speak only in Yiddish and miffed that the teacher, Len Bronstein, a nonobservant Jew who somehow worked the magic that only rabbis had worked before, neglected to give him something. “ ‘Avu iz mayn shmok,’ he blurted.” Translation: “Where is my dick.” But after learning English from binge-watching Curb Your Enthusiasm, The Golem (as he insists on being called) is ready to rampage, part Frankenstein's monster and part insult comic. "Could crush your head like walnut," he says. Committed to his role as protector of Jews, he prepares to unleash major mayhem when told of the Save Our History's Future rally in Kentucky, where chants of "Jews will not replace us" will fill the air. Len hopes to convince The Golem that "Defending ourselves is different than killing every Jew-hater," but Larry David has the humanoid's ear in encouraging him during a video call to "maybe rip their heads off." In his squishy preaching of restraint, the author of Go the Fuck To Sleep (2011) loses some of his edge. And the narrative has a difficult time staying on track with all of its digressions, including minihistories of golems, the Jewish people, the Hasidic movement, and, for good measure, the Ku Klux Klan. There also is a long, uncommented-on excerpt from a Joseph Brodsky poem about race and a weird trip to Sweden by Len to confront an Airbnb scammer. Though there is much to enjoy, the book fails to make much of an impact.
A farcical spin on the Jewish plight.Pub Date: Sept. 26, 2023
ISBN: 9780593729823
Page Count: 272
Publisher: One World/Random House
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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by Dave Barry & Adam Mansbach & Alan Zweibel
BOOK REVIEW
by Adam Mansbach & Alan Zweibel ; illustrated by Neil Swaab
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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