A New Yorker watches from his apartment window as a plague ravages the city in this prose poem by Pelzman.
Gabriel is a lonely, troubled, and divorced industrial designer who lives in an apartment building on Manhattan’s Upper West Side. Each day he observes his neighbors go about their lives in adjacent apartment blocks. Despite never having met them, he grows to know the actions of a select few intimately, including an aging Mancunian couple, a pair of gay doctors, a lonely old man, and a widowed socialite. The girl he nicknames Sophie particularly captivates Gabriel. He watches her go about her daily chores and grows jealous when any potential suitors visit. Gabriel observes sadly that “despite being separated by only a few inches of concrete, / they will never be of service to each other.” His neighbors suddenly begin to fall ill as a pandemic moves through the city. “Death is here,” declares the speaker, and the city’s forces are “depleted” for a moment. As Manhattan begins to recover, neighbors begin to “see” one another for the first time. What will this mean for Gabriel and Sophie? The author’s poetic narrative captures the rapid manner in which the city generates an ever changing spectacle for the distanced observer. The everyday street life is captured in short, urgently descriptive lines that comment on the action as it unfolds: “There is a cyclist, / a pot-bellied man, / who spits on the ground / and clears his nostrils.” Such descriptions are often interspersed with Gabriel’s reactions “(Gabriel believes that the social contract continues to erode”), framing each scene with personal opinion. The result is an intimate portrait of a metropolis that becomes distressingly distorted and paranoic with the onset of the “plague” (“An ambulance, / a deathmobile with pretty lights, / ambles up Amsterdam. / He glares at the ambulance / Stay away, / he warns”). Pelzman meticulously captures the shifting moods of the city during the pandemic and knits a captivatingly unconventional love story into the narrative. If future generations wish to understand what the Covid-19 lockdown felt like in America’s great cities, this book should be among the first on their reading list.
Brilliantly observant poetry that captures a dark moment in our recent history.