A gleefully fun take on the loving chaos of family reunions.
Oh no, here they come!
A small brown-skinned child braces as four of their aunts (two are brown-skinned, one presents as Asian, and one is light-skinned) cheerfully burst through the front door. Soon, the child is overwhelmed with hugs, pinched cheeks, the smell of coconut, and rapid-fire questions. To the dismay of the child, the aunts are here, they’re there, they’re everywhere! But as the adventure takes a more fantastical turn, the aunts become fiercely protective, fighting a wolf (“They read an article about this”) before reassuring the child in a loving embrace. Then, just as the child warms up to their presence, they leave in a fashion as dramatic as their entrance. Armed with sun visors, hand sanitizer, and fanny packs, the aunts have undeniable charm—it’s hard to not be swept away by their shenanigans. The pacing and rhythm of the text make it a joy to read aloud, with streams of repeating lines, occasional rhymes (“Fanny packs. A snack. Pack that snack back in the fanny pack”), and varied use of fonts contributing to the hilariously over-the-top energy of the aunts. Cho’s vibrant illustrations and mastery of perspective perfectly capture the eccentricities and exuberance of each aunt, contrasting the child’s concerned expressions to humorous effect. Keen-eyed readers will delight in finding clues in the illustrations that foreshadow what’s to come. (This book was reviewed digitally.)
A gleefully fun take on the loving chaos of family reunions. (Picture book. 4-8)Pub Date: May 23, 2023
ISBN: 978-1-79720-794-0
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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