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THE SNOW DANCER

An exuberant read-aloud extolling the glory of dance and snow days.

A nighttime snowfall leads to a joyful snow-day dance.

Stepping out into the hushed silence of a snow day, Sofia pulls on a mustard-yellow coat and smooshes a matching cap over her straight, black hair. The undisturbed snow becomes her blank canvas for an exuberant snow-day ballet full of sound and life as she “crinch crunches” and “slish slusssssssssssshes” on the empty soccer field. But her solitary dance comes to an abrupt end when the field is overtaken by a horde of neighborhood children. Amid the chaos, one tiny, brown-skinned child in pigtails and fairy wings sees Sofia’s crestfallen expression, which leads to willowy Sofia’s teaching the little one to be a snow dancer too. Together, the new friends execute an impromptu pas de deux that transitions into an energetic group snowball fight until it’s time to go home. The lyrical narrative plays with auditory dynamics from the soft beginning through the jubilant, shout-filled climax to the cozy, quiet ending. The painterly illustrations use strong shapes and swooping linework that echoes Sofia’s balletic dancing. Many pages depict multiple Sofias, creating an animationlike effect that evokes movement. Sofia’s yellow-clad figure standing out against the snowy white pages and the sounds she makes in the new snow create a dance-filled nod to Ezra Jack Keats’ classic The Snowy Day (1962). (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 21.4% of actual size.)

An exuberant read-aloud extolling the glory of dance and snow days. (Picture book. 3-8)

Pub Date: Nov. 10, 2020

ISBN: 978-1-5420-9317-0

Page Count: 32

Publisher: Two Lions

Review Posted Online: Sept. 14, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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IZZY GIZMO AND THE INVENTION CONVENTION

From the Izzy Gizmo series

A disappointing follow-up.

Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).

While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.

A disappointing follow-up. (Picture book. 3-6)

Pub Date: March 1, 2020

ISBN: 978-1-68263-164-5

Page Count: 32

Publisher: Peachtree

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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