A companion piece for the author’s Troy (2001)—and another definitive example of storytelling so character-driven that nearly everything happens either offstage or within the hearts and minds of, mostly, the female characters. The dominant theme is “waiting beneath thickening clouds of doubt.” As sad, gentle Penelope waits for her beloved Odysseus to return from Troy, her hot-headed son Telemachus waits to turn the age at which he can set out in search of his father, fuming at a crowd of leering, bestial suitors who wait impatiently for Penelope to choose a new husband. Even the dog Argos waits, his life unnaturally prolonged by one of the several gods and goddesses who wander freely in and out of view. Meanwhile, for the younger characters, there’s plenty of growing up, of falling into both love and lust, of anger, tears, hand-wringing, intrigue and anguish—though it all seems distant, conveyed with almost ritualistic language in Geras’s measured prose. Her attempts to counter the gathering monotony with occasional breaks into modern idiom (Telemachus: “These bastards can’t be allowed to get away with stuff like that”), a gratuitous murder and even a secret, tender lover for Penelope are ineffective; not even the concluding bloodbath following Odysseus’ eventual return dispels the inertia of this leaden take. (Fiction. YA)
Pub Date: Jan. 1, 2006
ISBN: 0-15-205603-3
Page Count: 368
Publisher: Harcourt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 15, 2005
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Immersive and engaging, despite some flaws, and destined to capture imaginations.
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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