The author of, most recently, Happy Endings (1991) begins a trilogy about British schoolgirls whose lives parallel familiar fairy tales. Protagonist Megan (Rapunzel) is an orphan whose schoolmistress guardian, Dorothy, satisfied Megan's mother's craving for asparagus (a stand-in for rampion/rape) before Megan's birth. With intriguing ingenuity, Geras mimics the original tale: the three girls room in a tower conveniently equipped with a workmen's scaffold that Simon, a young science instructor, climbs for trysts with Megan; Dorothy, who also entertains romantic notions about Simon, discovers the guilty pair and exiles them after crushing Simon's glasses. Geras writes with imagination and grace, following the story of ``Rapunzel'' but also having Megan narrate from a London flat where the lovers are confronting the unromantic realities of dead-end jobs—an instructive contrast to the ardent scenes in the tower. Here, too, as in the original story, the characters are schematic—Simon, especially, exists as a one-dimensional object of passion (another sly lesson). But what most holds attention is the fascinating parallel between the credible modern details and the original. Roommates Bella, whose jealous stepmother plies her with apples, and Alice, one of whose 13 aunts caused a fuss at her christening, presage the pleasures in the books to follow. (Fiction. 12+)
Pub Date: April 1, 1992
ISBN: 0-15-289627-9
Page Count: 150
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1992
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...
This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.
The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)Pub Date: Jan. 1, 2001
ISBN: 0-8037-2569-8
Page Count: 176
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
A high-concept premise that falls short in its execution.
A teenage girl finds herself alone after everyone else in her town mysteriously disappears, leaving her scrambling to figure out how to find them all.
One late summer day, everybody in July Fielding’s town disappears. She is left to piece together what happened, following a series of cryptic signs she finds around town urging her to “GET THEM BACK.” The narrative moves back and forth between July’s present and the events of the summer before, when her relationship with her best friend, cross-country team co-captain Sydney, starts to fracture due to a combination of jealousy over July’s new relationship with a cute boy called Sam and sweet up-and-coming freshman Ella’s threatening to overtake Syd’s status as star of the track team. The team members participate in a ritual in which they jump off a cliff into the rocky waters below at the end of their Friday practice runs. Though Ella is reluctant, Syd pressures her to jump. Short, frenetically paced sections move the story along quickly, and there is much foreshadowing pointing to something terrible that occurred at the end of that summer, which may be the key to July’s current predicament, but there is much misdirection too. Ultimately this is a story without enough setup to make the turn the book takes in the end feel fully developed or earned. All characters read white.
A high-concept premise that falls short in its execution. (Fiction. 14-18)Pub Date: Sept. 19, 2023
ISBN: 9780593327173
Page Count: 320
Publisher: Dutton
Review Posted Online: July 27, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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