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THE BREAKUP LISTS

Love deserves a standing ovation in this multilayered exploration of what it truly means to feel seen.

A stage manager and his sister both develop a crush on the same guy.

Everyone thinks juniors and longtime queer platonic besties Jackson and Bowie should date. But Iranian and white Jackson, who’s deaf, must constantly triage his sister Jasmine’s relationship woes by making breakup lists that extol her exes’ worst qualities. When white, “classically handsome” swimmer Liam auditions for the fall musical, trouble ensues when both Jackson and Jasmine start crushing on him. Jasmine pursues Liam first, making Liam “absolutely, 100 percent off limits.” But Liam keeps tucking in Jackson’s shirt tags. He also starts learning sign language from Bowie, a nonbinary, Black, aromantic, and asexual child of deaf adults. Liam hopes this will help them communicate better, a meaningful action and something Jackson’s family hasn’t put much effort into. What’s a boy to do? This sweet, slow-burn sibling love triangle with an added sprinkling of family drama rivals Alice Oseman’s Heartstopper (2020) in its cuteness and appeal. Countless references show an insider’s knowledge of—and reverence for—high school theater. The strong first-person narration immerses readers in Jackson’s story, and the use of “somethingsomething” effectively conveys times when Jackson, who wears hearing aids and reads lips, misses dialogue. The supporting characters bring additional diversity in race and queer identity.

Love deserves a standing ovation in this multilayered exploration of what it truly means to feel seen. (Fiction. 14-18)

Pub Date: April 2, 2024

ISBN: 9780593616390

Page Count: 336

Publisher: Dial Books

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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