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A MILLION TO ONE

A character-driven story that builds to a dramatic end.

Four young women board the Titanic to steal a rare, gem-studded copy of the Rubaiyat, the classic book of Persian poetry.

It doesn’t take long for Josefa, a thrill-seeking Dublin thief, to select her crew. Croatian Violet, who wishes to reunite with her younger brother at home, has a natural talent for acting and gathering information. Emilie, a skilled painter and forger, is reluctant to take apart the Rubaiyat for profit but is swayed by the thought of using the money from selling the individual jewels to travel to Haiti, her birth country, and visit her deceased mother’s family. Hinnah from Karachi is the youngest of the group, and she’s eager to leave a thankless job at the circus and put her contortionist abilities to better use aboard the Titanic by sneaking through circulation vents and into locked cabins. Stolen tickets and false identities get the four onto the famously unsinkable ship, where they must nab the priceless volume before it arrives in America. While the planning and execution of the heist keep the story ticking along, the action and excitement really escalate in the latter half of the book. Earlier it’s the shifting dynamics between the girls that build tension as brief chapters in alternating perspectives reveal conflicting interests, hidden motives, and mutual pining. A countdown in the chapter headings adds a sense of urgency—will the girls succeed before time runs out?

A character-driven story that builds to a dramatic end. (content warning, author’s note) (Historical fiction. 13-18)

Pub Date: Dec. 13, 2022

ISBN: 978-0-06-291632-7

Page Count: 368

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A GOOD GIRL'S GUIDE TO MURDER

From the Good Girl's Guide to Murder series , Vol. 1

A treat for mystery readers who enjoy being kept in suspense.

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  • New York Times Bestseller

Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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