An uplifting story that rightfully asserts the multidimensionality of Black identity.
An empowering picture book seeks to instill pride in the descendants of enslaved people.
A dark-skinned young girl is the only brown person in her class. When her teacher talks about slavery, she feels ashamed and scrutinized by her peers. After a lesson about civil rights, some kids on the school playground whisper behind her back, and one boy even makes a racist comment. Feeling like she has been reduced to her race (“Is that all you see when you look at me?"), the girl finds perspective and strength in the stories her mother has told her about their female ancestors. Recalling that she has privileges and opportunities her foremothers didn’t have reminds the girl to be grateful. The narrative skips forward in time as the girl grows up and has a daughter who also finds herself the only brown-skinned child in her class. Now a woman, the protagonist teaches her daughter how to break out of the boxes that people put her in and exhorts her to “sit up straight / and / fly high into the sky.” A double-page spread shows a proud Black girl holding her fists in the air, braids flying outward, with her face skyward and a dazzling sunburst behind her. This emotionally honest look at the challenges of processing historical injustice and racial trauma provides a much-needed mirror for Black students, but anyone who has ever felt trapped by other people’s definitions of who they are can relate to the story on some level. Robinson’s digital illustrations exude a gentle dignity.
An uplifting story that rightfully asserts the multidimensionality of Black identity. (author's note, illustrator’s note) (Picture book. 4-8)Pub Date: Jan. 4, 2022
ISBN: 978-0-8234-4257-7
Page Count: 32
Publisher: Neal Porter/Holiday House
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
BOOK REVIEW
Enthusiastic and direct, this paean has a lovely ring to it.
Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.
“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.
Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9780593624180
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
BOOK REVIEW
A well-meaning but lackluster tribute.
Readers bid farewell to a beloved canine character.
Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.
A well-meaning but lackluster tribute. (Picture book. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9781683693864
Page Count: 32
Publisher: Quirk Books
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK REVIEW
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