It's a mess, riddled with typos, botched wording and grating sound cues. The moral here is obvious: The person who fails to...
Shoddy, sloppy and badly translated, this collection of five fables is as baffling as it is crude.
Apparently "[translated] from Ancient Greek" by Casanova into Italian and then translated into English, according to the credits page, this collection includes short, lightly animated versions of "The Fox and the Grapes," "The Grasshopper and the Ants," "The Lion and the Dolphin," "The Fox and the Crow" and "The Tortoise and the Hare." There's no voice narration, which is a blessing, given the clunky, near-indecipherable text that accompanies each story. The conclusion of "The Fox and the Grapes," for instance, offers this stunner of a garbled moral: "Those who do not succeed in realising their aims because they are not able to do so, often disdain that which they did not succeed in doing." Good luck parsing that one, kids. Most disturbingly, each tale of wretched animals in moral quandaries ends with a near-naked old man (Aesop, presumably) whom readers must dress in order to unlock the moral. The old man shows up five times in five separate states of partial nudity, leaving readers to wonder if he may have a serious problem. Even apart from these significant problems, the app also suffers from poor navigation, lackluster artwork and leaps of logic too big to ignore even for a fanciful children's app. For the record, lions and dolphins cannot shake hands.
It's a mess, riddled with typos, botched wording and grating sound cues. The moral here is obvious: The person who fails to steer clear of this app will find much to regret. (iPad storybook app. 3-6)Pub Date: Feb. 4, 2012
ISBN: N/A
Page Count: -
Publisher: Progetto Rosetta
Review Posted Online: March 27, 2012
Kirkus Reviews Issue: April 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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