It's a mess, riddled with typos, botched wording and grating sound cues. The moral here is obvious: The person who fails to...
Shoddy, sloppy and badly translated, this collection of five fables is as baffling as it is crude.
Apparently "[translated] from Ancient Greek" by Casanova into Italian and then translated into English, according to the credits page, this collection includes short, lightly animated versions of "The Fox and the Grapes," "The Grasshopper and the Ants," "The Lion and the Dolphin," "The Fox and the Crow" and "The Tortoise and the Hare." There's no voice narration, which is a blessing, given the clunky, near-indecipherable text that accompanies each story. The conclusion of "The Fox and the Grapes," for instance, offers this stunner of a garbled moral: "Those who do not succeed in realising their aims because they are not able to do so, often disdain that which they did not succeed in doing." Good luck parsing that one, kids. Most disturbingly, each tale of wretched animals in moral quandaries ends with a near-naked old man (Aesop, presumably) whom readers must dress in order to unlock the moral. The old man shows up five times in five separate states of partial nudity, leaving readers to wonder if he may have a serious problem. Even apart from these significant problems, the app also suffers from poor navigation, lackluster artwork and leaps of logic too big to ignore even for a fanciful children's app. For the record, lions and dolphins cannot shake hands.
It's a mess, riddled with typos, botched wording and grating sound cues. The moral here is obvious: The person who fails to steer clear of this app will find much to regret. (iPad storybook app. 3-6)Pub Date: Feb. 4, 2012
ISBN: N/A
Page Count: -
Publisher: Progetto Rosetta
Review Posted Online: March 27, 2012
Kirkus Reviews Issue: April 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tale of intergenerational bonding to be shared by grandparents and grandchildren.
In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.
Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.
A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)Pub Date: May 13, 2025
ISBN: 9781250393975
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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