by Agneta Pleijel ; translated by Marlaine Delargy ‧ RELEASE DATE: June 13, 2017
A delicate study of a young girl’s maturation, airy and filled with imagery of light, at times advancing unevenly, but more...
An autobiographical novel by Swedish novelist, poet, and playwright Pleijel about a young woman's search for meaning, identity, and independence.
When she learns of a fortuneteller’s prophecy of her beloved aunt’s life and death, Neta is swept up in the possibilities for romance and adventure it contains but also comforted by an underlying sense of order to the world in the predestination of a life's events. Tossed in the chaos of adolescence and emerging sexuality, and increasingly aware of the instability coursing beneath her family’s seemingly indissoluble bonds, Neta craves coherence and balance: between the unknown and the tangible; her hyperlogical mathematician father and her intense, volatile musician mother; the potential for a supernatural world and the earthly concerns of the everyday. As a young girl, she seeks deeper truths through religion but finds herself unable to believe. When her foray into faith fails, Neta performs a musical number in a school production and is seduced by the power of imitation, of pretending to be a more confident person than she is. She becomes preoccupied with simulating passion though is unable, too, to forge a real connection or fall in love, wandering numbly from partner to partner. Desperate to differentiate herself from her family, her town, her suffocating mother, Neta's awareness and self-knowledge deepen, and she tumbles through the revelations of a girl, then young woman, finally finding space for her mind's expansion in the study of philosophy and literature. The story occasionally loses its forward drive and turns episodic but is overall deeply inquisitive, as Pleijel explores the mysteries of what it is to be alive, to be connected to family while inhabiting the self alone, to love, to seek and live a life of meaning.
A delicate study of a young girl’s maturation, airy and filled with imagery of light, at times advancing unevenly, but more often funny, familiar, and profound.Pub Date: June 13, 2017
ISBN: 978-1-59051-830-4
Page Count: 272
Publisher: Other Press
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by George Orwell ‧ RELEASE DATE: Aug. 26, 1946
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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by George Orwell ; edited by Peter Davison
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