Kirkus Reviews QR Code
POLAND, A GREEN LAND by Aharon Appelfeld Kirkus Star

POLAND, A GREEN LAND

by Aharon Appelfeld ; translated by Stuart Schoffman

Pub Date: June 20th, 2023
ISBN: 9780805243611
Publisher: Schocken

On a visit to the Polish village where his late parents were born and his grandparents perished in the Holocaust, Tel Aviv shop owner Yaakov Fein finds love with a gentile farmer and hate in the form of festering antisemitism.

No physical evidence remains of the Jewish families who lived in tiny Szydowce, but Yaakov, whose coldly distant wife opposes the trip, hopes that merely by being there he will learn things that were kept from him by his parents. They survived the Nazis by hiding in the forest (as did young Appelfeld). Magda, the kindly farmer who takes Yaakov in and quickly becomes the love of his life, provides valuable memories, having worked in his grandparents’ house. His encounters with other villagers are unsettling. They claim they don't know anything about the wartime massacre of Szydowce’s Jews, who were locked inside a synagogue and burned alive. Their hatred of Jews surfaces after Yaakov discovers that after the massacre, tombstones from the Jewish cemetery were broken up and used as cornerstones for the town square. His attempts to acquire the stones, including his grandfather's, are met with derision by the manipulative mayor, who sets an exorbitant price for them and rips Yaakov for turning it down. “There are people for whom money is God,” he says. “They can't be changed. Even God himself can't change them.” Appelfeld (1932-2018), who didn't often make explicit references to the Holocaust in his fiction and uses that word only once here, attains raw emotion with his account of the horrific violence. The book, in which Yaakov’s dreams play an important role, has a fuzzy, dreamlike quality itself, leading to a more detached ending than in masterpieces such as The Age of Wonders (1981) and The Conversion (1992). But this 2005 work, being published in English for the first time, still haunts.

A powerful and timely addition to Appelfeld's great body of work.