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THE TAILOR SHOP AT THE INTERSECTION

A quiet yet compelling tale of art enduring.

A legacy of craftsmanship is created in this Korean import.

In this tale set in historical Korea, anthropomorphic dogs are portrayed wearing dopo robes. A self-taught tailor named Deokgu opens his shop at the “intersection downtown,” advertising custom-tailored Western-style suits. Thanks to the tailor’s attention to detail, his first customer goes away satisfied. “I’m so glad I became a tailor,” says Deokgu. The suit causes a stir and prompts more orders. Even after the ravages of war, the Tailor Shop at the Intersection is rebuilt and passed on to Deokgu’s son Samdol. The quality of his work secures the shop’s popularity even with new competition, and Samdol notes, “It was worth becoming a tailor.” When Samdol’s son Dushik takes over the shop, he faces a new challenge: mass-produced goods. The white backdrop is now layered with skyscrapers textured with dark hues and dotted with cars and dogs rushing about. Though others encourage Dushik to adopt new technology, he refuses, instead relying on the same care and precision as his father and grandfather—a choice that ensures delighted customers and makes Dushik content, too: “I’m so happy I became a tailor.” This understated, evenly paced tale will leave readers with much food for thought. Muted artwork has touches of whimsy, such as the dogs in their often comically oversize suits, though the canine tailors’ passion comes through clearly, too.

A quiet yet compelling tale of art enduring. (Picture book. 5-8)

Pub Date: Oct. 17, 2023

ISBN: 9781945492761

Page Count: 48

Publisher: Transit Books

Review Posted Online: Aug. 26, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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CREEPY PAIR OF UNDERWEAR!

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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  • Kirkus Reviews'
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  • New York Times Bestseller

Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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