A curiosity at best.
Anthology of Chinese short-shorts ranges from exotic to downright weird.
Apparently, short-short stories (under a thousand words) have taken China, Taiwan and Hong Kong by storm. Whence this collection representing what the editors’ introduction cites as a global phenomenon. In China, short-shorts are not merely the province of creative-writing programs or literary contests, but have a mass readership in magazines and newspapers. This anthology attempts to bill as literature what are essentially anecdotes à la Paul Harvey. Whether the culture barriers are too opaque, the translation issues too thorny or self-censorship too rampant, the most avid reader of international literature may find these stories vague and puzzling. Division into 15 sections with seemingly arbitrary theme headings, e.g. Governance, Controversy and yes, Weirdness, imposes no real coherence. A few of the pieces are gently ironic, while many amble aimlessly—the majority of these 91 tales are more accurately characterized as sketches. In “Losing the Feet,” a shoe clerk is drawn to a customer with smelly feet, and when she disappears, his own feet start to smell. “The Beat” involves a son’s gift of a metronome—delayed by a garrulous old geezer—to a mother who, in retirement, is pursuing her lifelong dream of learning the piano. “A Cup of Tea” captures a petty bureaucrat’s anguish over not offering tea to a non-tea-drinking superior, and then over apologizing for his lapse. Readers may not grasp the outcome of certain stories (“A Capable Man Can’t Handle a Small Case,” “Cat”). Some smack of horror (“Flies,” “Chimney Smoke”). Occasionally, entries succeed by rendering a socioeconomic phenomenon concrete: the food chain of trash trucks and trash-pickers, in “The Cycle”; or by illustrating a peculiar prejudice: a male obstetrician risks offending by delivering babies and pays with his life for his skill (“Small-Hands Chen”). Other stories echo Western fables (“The Crow and the Fox”) or pop songs (“Black Umbrella”). Too few achieve the emotional precision of “A Knock at the Door” or “An Encounter with General Zhou.”
A curiosity at best.Pub Date: Nov. 1, 2006
ISBN: 0-231-13848-2
Page Count: 304
Publisher: Columbia Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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