Growing up roaming the forests of California’s Siskiyou Mountains, the only thing Hallie Morse Daggett fears is fire.
She’s seen it devastate the forests, and it’s come terrifyingly close to her own home, and she brings food to the men of the U.S. Forest Service whenever they fight fires nearby. When she grows up she applies to work for them—again and again, always to be told they don’t hire women. But when, in 1913, a fire-lookout position opens up right before fire season begins and Daggett, now 30, again applies, the Forest Service finally says yes. The men take bets that she won’t last in the tiny, isolated cabin she’s assigned, but of course she does, spotting 40 fires in her first season. When, 14 years later, the wee cabin is replaced by a much fancier installation, Daggett retires after only one season in it, a decision framed by Bissonette in her admiring, economically engaging narration as prompted by her distaste for frippery. In her author’s note, Bissonette describes the paucity of the historical record and fills in the scant details of Daggett’s life following her retirement. In Hohn’s illustrations, Daggett appears as a lanky, determined White girl and woman. The backdrop of trees and mountains she appears against is rendered in a disappointingly pastel palette, effectively foregrounding Daggett but failing to represent the region’s rugged majesty. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 60.1% of actual size.)
An efficient introduction to another groundbreaking woman.
(Picture book/biography. 5-8)