by Al Yankovic & illustrated by Wes Hargis developed by Bean Creative ‧ RELEASE DATE: June 14, 2011
Fans will love that Mr. Yankovic himself provides the optional narration and all sound effects (including all gorilla grunts...
Voiced in rhymed couplets with a conscious tip of the hat to Seuss and Silverstein, this adaptation of the recently published book adds even more elements to an already overstuffed story—with unexpectedly good results.
The interactive features merge well with Hargis' comedic illustrations and serve to create an opportunity for the reader to slow down and enjoy the silliness in 8-year-old Billy's otherwise frenetic show-and-tell presentation. Games embedded in the app allow readers to try out some of his career choices, like snail trainer and gorilla masseuse. Tarantula shaving is by far the best of the three currently available games (two more are "coming soon"). Many of the interactions don't work easily, and some technical fixes are a must. Kids can make Billy chase the spotlight around the room or tap Mrs. Krupp to make bugs fly out of her hair. They can even write their name on a paper fish, tape it to the wall and see it appear throughout the rest of the book.
Fans will love that Mr. Yankovic himself provides the optional narration and all sound effects (including all gorilla grunts and snail cheers), injecting just a bit of the "Weird" that is missing from the print version back into the mix. (iPad storybook app. 4-8)Pub Date: June 14, 2011
ISBN: N/A
Page Count: -
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 9, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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by Al Yankovic ; illustrated by Wes Hargis
BOOK REVIEW
by Al Yankovic & illustrated by Wes Hargis
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt & illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Kimberly Dean ; illustrated by James Dean
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by James Dean & Kimberly Dean ; illustrated by James Dean
BOOK REVIEW
by Joan Holub ; illustrated by James Dean
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