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WHEN I GROW UP

A disappointing exploration of career options from an entertainer who should know better. Maybe it has something to do with the decision to take the "Weird" out of his authorial name, but musical satirist Yankovic doesn't deliver the kind of precise zaniness adults of a certain generation will expect. Little Billy may be small in stature, but he doesn't limit his thinking when it comes to what he'll be when he grows up. As soon as Mrs. Krupp gives him the floor at show-and-tell, he grabs it and doesn't let go, reeling out a dizzying series of potential careers. Beginning with 12 rhyming couplets on what kind of a chef he might be, he follows up with snail trainer, machinist, giraffe milker, artist and on and on. At its best, the verse approaches Seussian: "maybe I'll be the lathe operator / Who makes the hydraulic torque wrench calibrator / Which fine-tunes the wrench that's specifically made / To retighten the nuts in the lateral blade." But the pacing never allows readers to stop and chuckle at the foolishness, and it doesn't leave enough room for Hargis' light, humorous cartoons to expand and ramp up the goof factor. In children's books, as in satire, less is more—here's hoping Weird Al's next effort is both tighter and funnier. (Picture book. 5-8)

Pub Date: Feb. 1, 2011

ISBN: 978-0-06-192691-4

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Jan. 15, 2011

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I WISH YOU MORE

Although the love comes shining through, the text often confuses in straining for patterned simplicity.

A collection of parental wishes for a child.

It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.

Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)

Pub Date: April 1, 2015

ISBN: 978-1-4521-2699-9

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

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NOT A BOX

Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up. Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields. Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)

Pub Date: Dec. 1, 2006

ISBN: 0-06-112322-6

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2006

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