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THE NOTE

The complex friendship among three flawed but engaging characters anchors this satisfying psychological thriller.

A holiday in the Hamptons for three friends turns into an engrossing tale of murder.

Typically, the worst aftereffects of a girls’ weekend are nasty hangovers and swollen credit cards. But in this gripping thriller, much darker things happen. When May Hanover—a Chinese American assistant district attorney turned law professor in New York—agrees to spend a long weekend with two old friends in East Hampton, it’s a welcome reunion, and for May, a break from prepping for the next semester while planning her wedding to fiance Josh. The trio first met about 15 years ago at an arts camp, and May has stayed in touch with Lauren Berry, an accomplished Black classical musician. But until recently, she hadn’t heard from Kelsey Ellis, the golden-blond daughter of a rich man, since Kelsey married a rising star chef who was subsequently murdered—a death that many online true-crime aficionados attribute to her. That’s not the only scandal in the trio’s baggage: Lauren’s longtime relationship with a married oilman got her fired from a plum job when it was exposed. And the usually rational May was the subject of a humiliating viral video of her threatening to call the police after a confrontation with a Black man on the subway. But this weekend is about leaving those troubles, and their long tail on the internet, behind. When the women drive to Sag Harbor to barhop, another car steals the parking space they were waiting for, and, among themselves, they make fun of the attractive couple in it. But Kelsey goes a little further, tucking a note on a cocktail napkin under the windshield wiper: “He’s cheating. He always does.” It seems like a prank, but then a tourist is reported missing who looks like the handsome driver. Questions are raised and tempers flare among the friends; in the midst of it, Kelsey’s stepbrother Nate arrives. He’s cool and charming—and May’s ex-boyfriend. As the police start asking questions, May’s compulsion to investigate kicks in, although she’s digging into her own past, along with those of the friends she thought she knew. Burke builds an intricate structure of secrets layered within secrets, revealed for maximum suspense.

The complex friendship among three flawed but engaging characters anchors this satisfying psychological thriller.

Pub Date: Jan. 7, 2025

ISBN: 9780593537084

Page Count: 304

Publisher: Knopf

Review Posted Online: Oct. 10, 2024

Kirkus Reviews Issue: Nov. 15, 2024

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TELL ME WHAT YOU DID

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.

Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

Pub Date: Jan. 14, 2025

ISBN: 9781464226229

Page Count: 448

Publisher: Poisoned Pen

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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