A lyrical and generously illustrated monograph about the intimate relationship between our buildings and ourselves.
Graceful disquisition on the significance of architecture, by a novelist and essayist whose eclectic interests range from How Proust Can Change Your Life (1997) to Status Anxiety (2004).
In what may be the only contemporary volume on architecture that doesn’t discuss Frank Lloyd Wright, de Botton sticks to the basics. He deals with questions of style, ideas of beauty, notions about why certain structures appeal to us. One of the most engaging chapters discusses the elements that beautiful buildings require: order, balance, elegance, coherence and self-knowledge. The author argues that we love beautiful buildings because they solidify ideas we have about ourselves and our world. They put into concrete form our aspirations; they compensate for our human weaknesses; in short, they make us happy. He believes that favored architectural styles change because of the “manifold nature of our inner needs.” The author moves easily through historical periods, through fashions and fads, through architects many have heard of (Louis Sullivan) to those known principally to professionals (Michael Hopkins). He offers photographic backup for just about every point he makes and every concept he wishes to elucidate. He is adept, as well, at pointing out relationships between architecture and writing, architecture and painting. He keeps his tone personal and amiable, especially in a vivid section about a recent sojourn in Japan, where he’d hoped to see in contemporary buildings more allusions to the country’s traditional and historical styles. Evident throughout is the author’s fine craftsmanship. Virtually every page contains a sentence any essayist would be proud to have written. Considering the concept of elegance, de Botton writes, “We delight in complexity to which genius has lent an appearance of simplicity.” Gentle affection pervades these pages, as does knowledge of architecture that is both broad and deep.
A lyrical and generously illustrated monograph about the intimate relationship between our buildings and ourselves. (To be a three-part PBS series, Fall 2006)Pub Date: Oct. 3, 2006
ISBN: 0-375-42443-1
Page Count: 288
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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