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SELLING THE GREAT WAR

THE MAKING OF AMERICAN PROPAGANDA

A useful exhumation of an almost forgotten piece of American history and a timely meditation on the conflict between free...

The little-known story of George Creel and the Committee on Public Information, “America’s first and only ministry of propaganda.”

In 1916, Woodrow Wilson campaigned on the slogan, “He kept us out of war!” Within months after his reelection he sought congressional authority for a war to make the “world…safe for democracy.” To marshal his determinedly isolationist countrymen, Wilson turned to Creel, whose background in political journalism and progressive politics ideally suited him for the job of promoting the president’s lofty war aims. Although he invokes influential ad- and public-relations men Ivy Lee and Edward Bernays, historian Axelrod (Profiles in Folly: History’s Worst Decisions and Why They Went Wrong, 2008, etc.) demonstrates that Creel accomplished something far more sophisticated than simply “selling” the Great War. Thanks to the Espionage and Sedition Acts and a “friendly understanding” with newspaper editors, Creel had a monopoly on war information. Aided by his recruitment of leading figures in all walks of American life, his careful selection of helpful facts and his saturation of the public through press, pictures, movies, public meetings and rallies, Creel sought to transform the public mind and make it receptive to Wilson’s message. With especially fine passages about the Four-Minute Men, community members recruited to address movie audiences while projectionists switched reels, and the Division of Pictorial Publicity, whose members included Charles Dana Gibson, George Bellows and N.C. Wyeth, Axelrod shows Creel’s propaganda machine in action. He marvels at Creel’s efficiency and credits him with honorable, if occasionally disingenuous intentions. He also observes that what Wilson and Creel saw as a morally neutral program, necessitated by war, could easily have become—as Hitler and Goebbels, who carefully studied the Creel’s techniques, later proved—a monster.

A useful exhumation of an almost forgotten piece of American history and a timely meditation on the conflict between free speech and security.

Pub Date: March 1, 2009

ISBN: 978-0-230-60503-9

Page Count: 256

Publisher: Palgrave Macmillan

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2008

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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