"The finding is chance. Wasteland and boundaries, places that are neither one thing nor the other, neither here nor there—these are the gates of Elidor." For Roland Watson, Fog Lane, Manchester 20, and his older brothers and sisters, the gate is a gutted church on a demolition site, the "fix" between the two worlds is the music of a blind, lame fiddler who becomes Malebron, King of Elidor. From ancient prophecy, Malebron sees in the children the saviors of Elidor the means to bring light after long darkness. At his insistence—"Think it. Force it with your mind"—Roland imagines the door to the hidden Treasures that hold Elidor's fate, and the four retrieve them; to protect Elidor, they must take the Treasures back with them. The problem thereafter is two-fold: to conceal (and neutralize) the Treasures, which act as electric generators, disrupting television reception and setting off household appliances; to overcome the evil forces from Elidor bent on gaining possession of them and, ultimately, to return them safely to Malebron. Some of this is hilarious—the family facing an evening without TV, the stolid father confronting invisible forces—some is harrowing, but it rarely rises above the level of formula fantasy. The obvious weaknesses are a certain flatness of style and the lack of definition of character, the stillborn aspect of faerieland: we don't know Elidor or the children intimately enough to care what happens to them, nor to regret, in the case of the children, that they are little touched by the sum of their experiences.
Pub Date: April 1, 1967
ISBN: 0152056246
Page Count: 192
Publisher: Walck
Review Posted Online: April 26, 2012
Kirkus Reviews Issue: April 1, 1967
Harry Potter–like threads spun into a fresh, enjoyable mix of magic and mystery.
A teenage orphan enters a curious school and encounters mysteries and dangerous secrets in this first installment of a debut YA fantasy series.
Life in Croswald is about to change for 16-year-old orphan Ivy, a lowly castle maid in charge of the kitchen “scaldrons,” oven-heating, fire-breathing dragons. Fleeing the castle after a messy scaldron mishap, Ivy hops a strange conveyance that transports her to a school for potential quill-wielding, spell-casting “scrivenists.” (The author’s creative language—students are “sqwinches,” and “hairies” are lanterns housing fairies with luminous hair—is one of the book’s pleasures.) Learning that there is more to her gift for sketching than she realized, Ivy studies spells and the magical properties of inks and quills, but strange things keep happening. Why is an old scrivenist, long thought dead, working in secret? Why is the head of the oddly familiar school moving paintings to the “Forgetting Room” so that no one will remember they existed? How can Ivy get a look at a certain journal stored there, and what does it have to do with her recurrent dream? And why has Ivy drawn the interest of the Dark Queen of Croswald and her truly fearsome Cloaked Brood? The intrigue is layered with such whimsical inventions as one school lunchroom run by ghostly bad cooks and another by a jester who is best avoided, scrivenists who end their lives as tomes in a library, and small houses pulled by a gargantuan flying beast with its own weather system. Yes, there are many Harry Potter–ish elements: a school for young wand-wielders, quirky shops dealing in enchanted student supplies, eccentric characters, spells gone wrong, an evil pursuer. But Night’s blend of magic, danger, and suspense (and a touch of steampunk) is a well-realized, fresh fantasy world all its own, and Ivy is an appealing protagonist of relatable complexity. A few bobbles: Ivy seems to go without food for long stretches; the use of “effected” rather than “affected”; a professor who is both standing and perched on a chair.
Harry Potter–like threads spun into a fresh, enjoyable mix of magic and mystery.Pub Date: July 21, 2017
ISBN: 978-0-9969486-5-4
Page Count: 320
Publisher: Stories Untold Press
Review Posted Online: June 16, 2017
Kirkus Reviews Issue: July 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
In this riveting futuristic novel, Spaz, a teenage boy with epilepsy, makes a dangerous journey in the company of an old man and a young boy. The old man, Ryter, one of the few people remaining who can read and write, has dedicated his life to recording stories. Ryter feels a kinship with Spaz, who unlike his contemporaries has a strong memory; because of his epilepsy, Spaz cannot use the mind probes that deliver entertainment straight to the brain and rot it in the process. Nearly everyone around him uses probes to escape their life of ruin and poverty, the result of an earthquake that devastated the world decades earlier. Only the “proovs,” genetically improved people, have grass, trees, and blue skies in their aptly named Eden, inaccessible to the “normals” in the Urb. When Spaz sets out to reach his dying younger sister, he and his companions must cross three treacherous zones ruled by powerful bosses. Moving from one peril to the next, they survive only with help from a proov woman. Enriched by Ryter’s allusions to nearly lost literature and full of intriguing, invented slang, the skillful writing paints two pictures of what the world could look like in the future—the burned-out Urb and the pristine Eden—then shows the limits and strengths of each. Philbrick, author of Freak the Mighty (1993) has again created a compelling set of characters that engage the reader with their courage and kindness in a painful world that offers hope, if no happy endings. (Fiction. 10-14)
Pub Date: Nov. 1, 2000
ISBN: 0-439-08758-9
Page Count: 224
Publisher: Blue Sky/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2000
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