An effective adaptation, still relevant and likely to find a fresh audience.
In this graphic version of Gratz’s bestselling 2017 novel, three groups of refugees in different eras face bitter hardship and persecution in the course of desperate searches for safety.
Set respectively in 1938, 1994, and 2015, the accounts involve a passenger ship full of German Jews, a thrown-together group of Cubans on a leaky boat, and a bombed-out Syrian family striking out for the E.U. The original novel folded in actual experiences and, in some cases, real people, unspooling three storylines in short, interleaved chapters; this new edition preserves that structure. It’s a tossup whether the change in format offers any real advantages. On the one hand, actually seeing expressively posed characters and the period details around them brings both the cast and the settings sharply to life, moments of crisis and terror have cinematic impact, and racial and cultural differences remain strongly present. On the other, though, because the graphic “chapters” are only three to five pages each, and all the art is done in a similar style and palette, the dozens of switches from one storyline to the next come with dizzying frequency and can’t help but impede the narrative flow. Still, after skillfully interweaving his three powerful stories together at their ends, the author urgently invites readers to contemplate their contrasts, parallels, and ever-cogent common themes.
An effective adaptation, still relevant and likely to find a fresh audience. (afterword) (Graphic historical fiction. 10-13)Pub Date: yesterday
ISBN: 9781338733969
Page Count: 176
Publisher: Graphix/Scholastic
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story.
Leaving Brooklyn behind, Black math-whiz and puzzle lover Bree starts a new life in Florida, where she’ll be tossed into the deep end in more ways than one. Keeping her head above water may be the trickiest puzzle yet.
While her dad is busy working and training in IT, Bree struggles at first to settle into Enith Brigitha Middle School, largely due to the school’s preoccupation with swimming—from the accomplishments of its namesake, a Black Olympian from Curaçao, to its near victory at the state swimming championships. But Bree can’t swim. To illustrate her anxiety around this fact, the graphic novel’s bright colors give way to gray thought bubbles with thick, darkened outlines expressing Bree’s deepest fears and doubts. This poignant visual crowds some panels just as anxious feelings can crowd the thoughts of otherwise star students like Bree. Ultimately, learning to swim turns out to be easy enough with the help of a kind older neighbor—a Black woman with a competitive swimming past of her own as well as a rich and bittersweet understanding of Black Americans’ relationship with swimming—who explains to Bree how racist obstacles of the past can become collective anxiety in the present. To her surprise, Bree, with her newfound water skills, eventually finds herself on the school’s swim team, navigating competition, her anxiety, and new, meaningful relationships.
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story. (Graphic fiction. 10-13)Pub Date: May 17, 2022
ISBN: 978-0-06-305677-0
Page Count: 256
Publisher: HarperAlley
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
Fast-moving but let down by questionable omissions.
The efforts of six New Jersey kids to prevent the Nazis from winning World War II continue in this sequel to Westfallen (2024).
In 1944, Alice, Lawrence, and Artie struggle to correct their catastrophic error that, as Alice repeatedly has it, “DESTROYED THE FUTURE.” In 2023, Frances and Henry desperately research the changed history that finds the U.S. transformed into the Nazi-controlled tributary state of Westfallen. Jewish Lukas is largely confined, unable to help them or reach the magic shed that houses the radio that allows the kids to communicate across time, putting him at risk of losing his memories. Meanwhile, in 1944, Lawrence collects scrap metal alongside a kid who grows up to be a patient in the Home for Incurables, where Henry works in 2023. Could that kid hold the key to restoring the timeline? In this volume, Lawrence and Frances join Alice and Henry as first-person narrators, depriving Lukas and Artie of narrative agency. This lack is particularly distressing in Lukas’ case, as his isolation is affecting his personality. It falls to Henry and Alice to prod him into action—which is unfortunate for a novel that never names the Holocaust and omits persecution of the Jews from Alice’s father’s explanation of Nazi ideology (although antisemitism is an obvious feature of life in this alternate timeline). The crackling pace can’t obscure these lapses. Alice, Artie, and Frances are white, Lawrence is Black, and biracial Henry is Black and white.
Fast-moving but let down by questionable omissions. (Science fiction/thriller. 10-13)Pub Date: Sept. 16, 2025
ISBN: 9781665950848
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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