THE APRIL DEAD

Overworked Scottish cops probe a strange series of bombings in the mean streets of Glasgow.

April 12, 1974. Detective Harry McCoy and partner Douglas Watson are called to a flat where a “stupid bugger” has blown himself up trying to make a bomb. The bloody crime scene wreaks havoc with McCoy’s weak stomach. Though he’s only 32, the righteous McCoy suffers from a peptic ulcer. Wattie is struggling to adjust to family life: His girlfriend, Mary, a former reporter, has limited patience with his failure to embrace his parenting responsibilities for Duggie, their new baby. Then Andrew Stewart, an American, buttonholes McCoy at the local pub and tries to enlist his help in finding his son, Donny, who’s gone AWOL from the U.S. Navy base, but McCoy says he can't help him; the next morning, though, Stewart talks his way into going along with McCoy on a road trip to Aberdeen to pick up crime boss Stevie Cooper, just released from prison, whose friendship McCoy leverages to obtain valuable info. Their colorful jaunt is cut short by another bombing, this time of a cathedral. Then Cooper becomes the prime suspect in a murder, driving a temporary wedge between Wattie and McCoy. Parks depicts 1970s Glasgow with depth, scope, and authenticity. The pace is deliberate, but the lean, muscular prose is matched by a deep dive into character and the seamy side of the city. When evidence identifies Donny Stewart as a person of interest in the bombings, his absence makes him look guiltier. Links to Northern Ireland hint at a much larger operation and more bombings in the offing.

A full-bodied immersion into Glasgow’s gritty past.