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TEXAS FLOOD

THE INSIDE STORY OF STEVIE RAY VAUGHAN

Deep reporting makes this a treasure trove for anyone interested in the blues and Vaughan’s place within popular music.

An oral biography that illuminates how far the inspiration of the virtuosic guitarist extends beyond music.

In the late 1980s, Stevie Ray Vaughan (1954-1990) was on the verge of drugging and working himself to death; he was forced to face the fact that if he didn’t change his ways, he wouldn’t last much longer. So he changed—his habits, perspective, relationships, routines, and music—and became as obsessed with living healthy and following 12-step precepts as he had been with scoring dope. He recorded an album with his older brother, Jimmie, his idol, one of the many musicians who had followed Stevie’s example by getting clean and sober. Sadly, when he had been sober for a few years, living happier and playing better than ever, he died in a helicopter crash following a concert, when the weather should not have permitted takeoff. He was just shy of 36 years old. Like co-author Paul’s previous oral history, One Way Out: The Inside History of the Allman Brothers Band (2014), this account is exhaustive, drawing extensively from interviews with those who knew Stevie best—his brother, band mates, and the other musicians who witnessed his rise and fall—with the exception of his ex-wife. The narrative chronicles his lifelong obsession with his instrument, his transformation from Steve Vaughan the geek kid to Stevie Ray the guitar god, the ways in which his band was more like a family, and the reverence he displayed toward his idols. Paul and Aledort’s interviews also underscore Vaughan’s profound influence on other musicians, first as a blues revivalist who brought the music back into the mainstream and then as a testament to a sobriety that enriched his artistry. It’s a tragedy that the story had to end the way it did, but the authors show why the story still matters almost 30 years after his death.

Deep reporting makes this a treasure trove for anyone interested in the blues and Vaughan’s place within popular music.

Pub Date: Aug. 13, 2019

ISBN: 978-1-250-14283-2

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 21, 2019

Kirkus Reviews Issue: June 15, 2019

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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