The book quotes Lincoln as saying, “Whatever you are, be a good one.” This team goes beyond good; they excel at making...
From Ben Franklin: His Wit and Wisdom from A-Z (2011), the dynamic duo of Schroeder and O’Brien here turn their talents to Abe Lincoln.
The alphabetic approach allows them to zero in on fascinating tidbits about both Lincoln himself and historical information pertinent to his past. Each letter is given from two to five entries. For A, Amendment, Autobiography, Ax and Aloud (as in reading) are cited. Many choices are obvious, but others may surprise readers. J is for Jack, a soldier doll that his sons played with. O is for Our American Cousin, the play Lincoln was watching when he was shot. Q is for Quincy (where he debated Douglas), Quorum and Quick (the Gettysburg Address). X is for Xenia, Ohio, where he made one of his railroad stops; the people swarmed the train and ate his lunch. Z is probably the most unusual one, standing for Zouaves, units of volunteer soldiers known for their colorful uniforms. O’Brien’s signature style lends the tableaux enormous flair, humor and zing. Comical tiny details are mischievous and clever. On the A page: A boy wearing a fringed shirt is holding an ax next to a gargantuan tube of Lincoln Logs filled with chopped-down trees.
The book quotes Lincoln as saying, “Whatever you are, be a good one.” This team goes beyond good; they excel at making history real, enjoyable and memorable. (Informational picture book. 5-9)Pub Date: Feb. 12, 2015
ISBN: 978-0-8234-2420-7
Page Count: 32
Publisher: Holiday House
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride.
Count down the days until Sunday, a day for slaves in New Orleans to gather together and remember their African heritage.
In rhyming couplets, Weatherford vividly describes each day of nonstop work under a “dreaded lash” until Sunday, when slaves and free blacks could assemble in Congo Square, now a part of New Orleans’ Louis Armstrong Park and on the National Register of Historic Places. Musicians “drummed ancestral roots alive” on different traditional instruments, and men and women danced. They also exchanged information and sold wares. The poetry is powerful and evocative, providing a strong and emotional window into the world of the slave. Christie’s full-bleed paintings are a moving accompaniment. His elongated figures toil in fields and in houses with bent backs under the watchful eyes of overseers with whips. Then on Sunday, they greet one another and dance with expressively charged spirits. One brilliant double-page spread portrays African masks and instruments with swirling lines of text; it is followed by another with four dancers moving beautifully—almost ethereally—on a vibrant yellow collage background. As the author notes, jazz would soon follow from the music played in Congo Square.
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride. (foreword, glossary, author’s note) (Picture book. 5-9)Pub Date: Jan. 5, 2016
ISBN: 978-1-4998-0103-3
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
A beautifully designed book that will resonate with children and the adults who wisely share it with them.
An inspirational ode to the life of the great South African leader by an award-winning author and illustrator.
Mandela’s has been a monumental life, a fact made clear on the front cover, which features an imposing, full-page portrait. The title is on the rear cover. His family gave him the Xhosa name Rolihlahla, but his schoolteacher called him Nelson. Later, he was sent to study with village elders who told him stories about his beautiful and fertile land, which was conquered by European settlers with more powerful weapons. Then came apartheid, and his protests, rallies and legal work for the cause of racial equality led to nearly 30 years of imprisonment followed at last by freedom for Mandela and for all South Africans. “The ancestors, / The people, / The world, / Celebrated.” Nelson’s writing is spare, poetic, and grounded in empathy and admiration. His oil paintings on birch plywood are muscular and powerful. Dramatic moments are captured in shifting perspectives; a whites-only beach is seen through a wide-angle lens, while faces behind bars and faces beaming in final victory are masterfully portrayed in close-up.
A beautifully designed book that will resonate with children and the adults who wisely share it with them. (author’s note, bibliography) (Picture book/biography. 5-8)Pub Date: Jan. 2, 2013
ISBN: 978-0-06-178374-6
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 18, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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