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SPACE PIRATE BEARS

A bright, big universe of fun and imagination.

A busy father makes time to tell his bored young children an exciting story of space adventure, teamwork, and compromise.

Dad, Jamie, and Abby, who have brown skin, curly hair, and toothy smiles, huddle up close to share stories of the faraway world of Princess Leona’s Star Defenders. This group of space heroes includes Prince Pilot, Captain Neigh the Space Horse, Cosmic Witch Bogwart, and Princess Leona herself. The cartoonish illustrations are vibrant, which makes the threat of the evil Doktor Drab even more daunting as he brings with him a dullness that drains the pages of color. But just as Princess Leona is calling upon the titular Space Pirate Bears, the galaxy’s greatest heroes, Abby and Jamie derail the story as they squabble over the details. Are the bears unicorn doctors, too, as Abby would like, or secret agents, as Jamie insists? Ever the savvy storyteller, Dad eventually guides the adventure toward a reasonable resolution to thwart Doktor Drab and empower the formerly bored kids to become collaborative storytellers of their own: Obviously, the heroes are Space Pirate Secret Agent Unicorn Doctor Flying Ninja Bears! With the help of unicorn rainbow laser beams, the day is saved (and a lot more colorful), and the kids—and readers—are gently reminded of the fun of working together. Though Doktor Drab has grayish skin, most human characters in Dad’s tale are brown-skinned.

A bright, big universe of fun and imagination. (Picture book. 4–8)

Pub Date: Dec. 1, 2023

ISBN: 9781684647361

Page Count: 40

Publisher: Kane Miller

Review Posted Online: Sept. 23, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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HANSEL AND GRETEL

Menacing and most likely to appeal to established fans of its co-creators.

Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.

In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.

Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)

Pub Date: Sept. 2, 2025

ISBN: 9780062644695

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 15, 2025

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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