by Alastair Reid & illustrated by Bob Gill ‧ RELEASE DATE: Dec. 1, 2010
A 1960 text from Reid is paired to all-new illustrations from Gill that realize one child’s beguiling hypotheses. “Supposing / I taught my dog how to read...” Beneath this intriguing opening, a floppy-eared dog holds a book in its mouth, waiting. “Supposing / I looked in the mirror one day and saw someone who wasn’t me at all and I said, Who are you? and he said, Mr. Endicott...” Readers see the child from the rear looking into the mirror, out of which is reflected an adult man wearing a fedora. And so it goes, supposition after childlike supposition, against scribbly, mostly black-and-white drawings with just a few strategic touches of color. The sophisticated minimalism of the illustrations at their best work with the text to prompt wild flights of fancy; at worst, they are simply thought-provoking. As fascination with cause and effect is a classic phase of childhood, this book would seem to have a natural place in both bedrooms and classrooms; though the flat, mannered cartoons may be initially off-putting to kids, the concept will beguile them. (Picture book. 4 & up)
Pub Date: Dec. 1, 2010
ISBN: 978-1-59017-369-5
Page Count: 56
Publisher: New York Review Books
Review Posted Online: Dec. 25, 2010
Kirkus Reviews Issue: Nov. 15, 2010
Share your opinion of this book
More by Alastair Reid
BOOK REVIEW
by Alastair Reid ; illustrated by JooHee Yoon
by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
Share your opinion of this book
More by Josh Schneider
BOOK REVIEW
by Josh Schneider ; illustrated by Josh Schneider
BOOK REVIEW
by Josh Schneider ; illustrated by Josh Schneider
BOOK REVIEW
by Josh Schneider ; illustrated by Josh Schneider
by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Share your opinion of this book
More by Randall de Sève
BOOK REVIEW
by Randall de Sève ; illustrated by Carson Ellis
BOOK REVIEW
by Mac Barnett ; illustrated by Carson Ellis
BOOK REVIEW
by Carson Ellis ; illustrated by Carson Ellis
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.