A personal, and expectedly individualistic, description of his experiment with the drug mescalin, which induces a state of pleasant, mild intoxication- and opens the doors of perception. Believing that modern man, enmeshed in his own ego and vulgar environment, needs an occasional escape- he recommends mescalin as a pleasanter and less harmful indulgence than alcohol or narcotics- or yogi. In this recommendation, he also pursues his latest ideas about art, music, philosophy, modern life and mysticism. And one of his most original ideas is that the human brain is a sort of valve which repels all the sensations, radiations and perceptions which are at large in the universe so that the individual will not be overwhelmed by these magnitudes and magnificences. On the other hand, the valve must be bypassed occasionally, so that the individual may have a glimpse of wider perspectives than his five senses ordinarily afford- and mescalin is the medium to be used. All this cannot be taken too seriously- but it makes amusing reading as well as a controversial commentary on current intellectual preoccupations. His addicts, but not in full strength, will provide the market.
Pub Date: Jan. 1, 1954
ISBN: 0006547311
Page Count: 135
Publisher: N/A
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1953
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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