Not as ambitious as The Lazarus Project, but no work by Hemon is a minor effort.
A master of modern literary gamesmanship returns with a short-story collection that just might be a novel, with elements that closely parallel the author’s career.
National Book Award–nominated author Hemon (The Lazarus Project, 2008, etc.), a Bosnian now based in Chicago who has had several stories published in the New Yorker, offers a series of interconnected, first-person narratives about a Bosnian writer who moves to Chicago and has a story called “Love and Obstacles” published in the New Yorker. Yet the author has something more profound than guessing games and literary puzzles in mind. These eight stories, chronologically sequenced, follow the unnamed narrator from his formative years as an aspiring boy poet (he quotes some lines from a poem titled, naturally, “Love and Obstacles”) through his relocation to Chicago just before the siege of Sarajevo and on to his achievement of some literary accomplishment. The protagonist testifies to the inspiration of Conrad and Rimbaud (he calls The Drunken Boat “my bible”), making more contemporary references to Led Zeppelin and Sonic Youth as well. Throughout, he deals with the challenges of art, the essence of identity and the “merciless passing of time.” He contrasts the loftiness of literature with his experiences as a door-to-door magazine salesman: His blue-collar customers “did not waste their time contemplating the purpose of human life; their years were spent as a tale is told: slowly, steadily, approaching the inexorable end.” Though each is self-contained, the stories benefit from echoes and resonances, recurring themes and characters (particularly the narrator’s parents). Complicated relationships with other artists—an established poet, a documentary filmmaker, a Pulitzer Prize–winning novelist—underscore the twists of truth and fiction, the slippery slopes of memory and identity.
Not as ambitious as The Lazarus Project, but no work by Hemon is a minor effort.Pub Date: May 14, 2009
ISBN: 978-1-59448-864-1
Page Count: 224
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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