A portion of Solzhenitsyn's memoir, The Oak and the Calf (1980), that could not be published originally because it reveals his allies in the Soviet Union and how he managed to get his writings out of the country. Solzhenitsyn was convinced from the first of the importance of what he was writing and of its ability to hurt the communist system. Here he gives us some idea of the desperate energy with which he worked. Of The Gulag Archipelago he writes, "It even seemed as if it was no longer I who was writing; rather, I was swept along, my hand was being moved by an outside force." But he also makes it clear that his efforts would have been fruitless without the many people (he mentions more than 100 by name) who, at risk to their freedom, their careers, and in some cases their lives, worked selflessly to help him. He tells of the fear that ruled their days and the precautions that became part of their being; of the ways in which they typed, hid, and ultimately spirited abroad the various manuscripts that then burst upon the world. He is particularly interesting in his analysis of his appeal to the public at large, which in the late 1960s was almost complete, such was the revulsion against the system; he lost much of his popularity as his own aims, including his religious feelings, became more apparent. He chronicles his initial ignorance of Western journalism and his slowly growing comprehension as to how journalists could help in his struggle against the Soviet Union. But for all its heroism and insight, of all Solzhenitsyn's books this may be the least satisfactory: His respect for those who helped him and his own reticence on personal matters join to make it perhaps the closest thing he has ever written to socialist realist odes to heroic tractor drivers.
Pub Date: Dec. 1, 1995
ISBN: 1887178422
Page Count: 344
Publisher: Counterpoint
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1995
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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