A portion of Solzhenitsyn's memoir, The Oak and the Calf (1980), that could not be published originally because it reveals his allies in the Soviet Union and how he managed to get his writings out of the country. Solzhenitsyn was convinced from the first of the importance of what he was writing and of its ability to hurt the communist system. Here he gives us some idea of the desperate energy with which he worked. Of The Gulag Archipelago he writes, "It even seemed as if it was no longer I who was writing; rather, I was swept along, my hand was being moved by an outside force." But he also makes it clear that his efforts would have been fruitless without the many people (he mentions more than 100 by name) who, at risk to their freedom, their careers, and in some cases their lives, worked selflessly to help him. He tells of the fear that ruled their days and the precautions that became part of their being; of the ways in which they typed, hid, and ultimately spirited abroad the various manuscripts that then burst upon the world. He is particularly interesting in his analysis of his appeal to the public at large, which in the late 1960s was almost complete, such was the revulsion against the system; he lost much of his popularity as his own aims, including his religious feelings, became more apparent. He chronicles his initial ignorance of Western journalism and his slowly growing comprehension as to how journalists could help in his struggle against the Soviet Union. But for all its heroism and insight, of all Solzhenitsyn's books this may be the least satisfactory: His respect for those who helped him and his own reticence on personal matters join to make it perhaps the closest thing he has ever written to socialist realist odes to heroic tractor drivers.
Pub Date: Dec. 1, 1995
ISBN: 1887178422
Page Count: 344
Publisher: Counterpoint
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1995
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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