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YELLOW, RED, BLUE AND IF I GET ANGRY GREY

A rewarding alternative for children who find the digital edition of Hervé Tullet’s Press Here (2012) too relentlessly...

This inventive pairing of colors with musical riffs offers almost unlimited opportunities for visual and aural experimentation—plus jigsaw puzzles for more structured entertainment.

Each of the four colors are introduced individually with their musical themes, first by blank screens to draw on and then stylized, big-eared animals whose parts can be moved about with a fingertip or left to separate in a tilt-sensitive drift. On following screens, the color fields and the figures appear in combinations that can be reordered or rearranged to create both color changes and musical juxtapositions or even, with rhythmic tapping, multilayered arpeggios. The title screen’s “Play” option leads to three jigsaws and an unusual kaleidoscopic puzzle that all use the same set of shapes and colors in fresh compositions. Comical grunts, drawing lines that transform into flights of butterflies and other small flourishes enhance the artfully designed interaction. There is no narration or text, but children will find that in addition to drawing and playing with colors, they can create a story that ends with enormously satisfying chortles.

A rewarding alternative for children who find the digital edition of Hervé Tullet’s Press Here (2012) too relentlessly inscrutable. (iPad play app. 4-8)

Pub Date: March 22, 2013

ISBN: N/A

Page Count: -

Publisher: WARE'S ME

Review Posted Online: April 30, 2013

Kirkus Reviews Issue: May 15, 2013

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OTIS

From the Otis series

Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-399-25248-8

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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