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YELLOW, RED, BLUE AND IF I GET ANGRY GREY

A rewarding alternative for children who find the digital edition of Hervé Tullet’s Press Here (2012) too relentlessly...

This inventive pairing of colors with musical riffs offers almost unlimited opportunities for visual and aural experimentation—plus jigsaw puzzles for more structured entertainment.

Each of the four colors are introduced individually with their musical themes, first by blank screens to draw on and then stylized, big-eared animals whose parts can be moved about with a fingertip or left to separate in a tilt-sensitive drift. On following screens, the color fields and the figures appear in combinations that can be reordered or rearranged to create both color changes and musical juxtapositions or even, with rhythmic tapping, multilayered arpeggios. The title screen’s “Play” option leads to three jigsaws and an unusual kaleidoscopic puzzle that all use the same set of shapes and colors in fresh compositions. Comical grunts, drawing lines that transform into flights of butterflies and other small flourishes enhance the artfully designed interaction. There is no narration or text, but children will find that in addition to drawing and playing with colors, they can create a story that ends with enormously satisfying chortles.

A rewarding alternative for children who find the digital edition of Hervé Tullet’s Press Here (2012) too relentlessly inscrutable. (iPad play app. 4-8)

Pub Date: March 22, 2013

ISBN: N/A

Page Count: -

Publisher: WARE'S ME

Review Posted Online: April 30, 2013

Kirkus Reviews Issue: May 15, 2013

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OTIS

From the Otis series

Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-399-25248-8

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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