Whether Kontis tells the tales of other Woodcutter children or not, readers will await her next with joyful anticipation.
The cover is terribly wrong—again—but Kontis’ return to the Woodcutter family is still mightily entertaining.
This story focuses on Saturday Woodcutter, whose sister Sunday from Enchanted (2012) is now queen. Saturday is a big, strong girl who has not figured out her magic, except that the ax she was given as an infant has turned into a sword that strengthens and heals. Tossing away a magic mirror endangers her whole family, especially her changeling brother, Trix, and she goes off to find and save him. She’s mistaken for her lost brother, Jack Woodcutter, by a blind witch whose eyes he stole and who imprisons Saturday. The witch also keeps captive a man named Peregrine, magicked by the witch’s daughter into taking her place. Peregrine does his best to keep busy and sane, while dressing as a woman and trying to both serve and outwit the witch. Peregrine and Saturday are a wonderful couple, as they spar, miss signals and exchange roles, aided by Betwixt, a chimera also held by the witch. There is hardly a fairy-tale or gender trope that Kontis doesn’t turn on its head, and readers don’t need to know about Hercules cleaning out the Augean Stables to find Saturday’s impossible task of cleaning the witch’s bird’s nest both hilarious and revolting.
Whether Kontis tells the tales of other Woodcutter children or not, readers will await her next with joyful anticipation. (Fantasy. 11-18)Pub Date: Oct. 1, 2013
ISBN: 978-0-544-05677-0
Page Count: 304
Publisher: Harcourt
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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