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BULLIES

A FRIENDSHIP

A sharp, provocative memoir of an unlikely friendship.

A journalist’s account of his friendship with a man who was not only president of a motorcycle group, but also the boy who bullied him during childhood.

Abramovich met Trevor Latham, president of the East Bay Rats Motorcycle Club, when the two were fourth-graders growing up on Long Island. They often fought in the schoolyard, but as children from dysfunctional, single-parent homes, both boys also had a deep affinity for each other. Their contact ended when Abramovich moved with his often jobless father in sixth grade. It was not until years later that he reconnected with Trevor, who now lived in Oakland. On an assignment for GQ to do a story about their friendship, the author traveled from New York to experience Trevor’s blue-collar world of motorcycles and “systemized” violence. Once back in New York, however, the story would not let him go. So Abramovich returned to Oakland to work on a book about Trevor and the Rats, and a six-month visit eventually turned into a four-year stay. His investigations led him to explore Oakland’s history, from its origins as bucolic California land grant territory to its evolution into one of the most crime-infested cities in America. He also learned about the tortured history of the Rats and witnessed the bloody infighting that threatened to tear the group apart. Research eventually revealed that before films like Stanley Kramer’s The Wild One (1953) celebrated an underground subculture of leather and machismo, motorcycle associations in America had been called “sweater clubs” and had attracted the likes of Clark Gable and Barbara Stanwyck. Thoughtful and engaging, Abramovich’s book suggests an intricate connection between an especially violent city and the “cracked, broken homes” that constitute them. Those homes ultimately give rise to “cracked, broken” children—like the author and Trevor—who seek makeshift families like the Rats or other gangs and take a “casual acceptance of bloodshed” as the status quo.

A sharp, provocative memoir of an unlikely friendship.

Pub Date: March 8, 2016

ISBN: 978-0-8050-9428-2

Page Count: 224

Publisher: Henry Holt

Review Posted Online: Nov. 28, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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