Equal parts ambitious and intimate, with enough humanity and empathy to keep weighty themes from swallowing it whole.
When the Earth starts spinning just a bit faster, three people from a small Alaska town find their lives intertwined with each other's and the fate of the planet.
Foster's debut novel has grand ambitions, which are made intimate through a close examination of the characters at its core. Twenty-year-old Tanner wants to escape Keber Creek, a town of 900 people, and especially his father, so he reaches out to a fellow Keber Creek native, Victor Bickle, a former Columbia professor of mechanical engineering, for advice. Tanner quickly finds himself working as Bickle’s assistant at the Circumglobal Westward Circuit Group, where Bickle has parlayed his internet success into a job as host of the company’s new series, Professor Bickle’s Science Hour, where he bounces between acting as a spokesperson and scientist. The days are growing shorter, though, and opponents of CWC suggest that its pioneering travel program, which can jet people across the world in less than an hour, is the root cause. The clear connection between hyperspeed travel and rapidly shortening days is clear to activists across the globe, and it’s a cause taken up by 15-year-old Winnie, another Keber Creek resident, as a way to make friends during a lonely high school experience. She and her friends protest this pursuit of profit over global stability, and her world slowly begins to find its way to Tanner and Bickle’s, with Foster artfully weaving their stories together. Winnie spends much of the book desperately pondering her existence in relation to her mother, who haunts the novel like a ghost after trying to take her own life, unlikely to emerge from her coma. She was looking, explains Foster, “to deny that she was in this world deeply and truly without a reason.” While a definitive reason never arrives, Winnie might take heed of one of Tanner’s observations during the novel’s waning pages: “In Greek, ‘apocalypse’ means an uncovering or unveiling; it means something brought into view.”
Equal parts ambitious and intimate, with enough humanity and empathy to keep weighty themes from swallowing it whole.Pub Date: May 13, 2025
ISBN: 9780802164483
Page Count: 368
Publisher: Grove
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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