THE SURVIVORS

Three sons of alcoholic parents return to an idyllic setting of long-ago trauma.

Fluidly translated from the Swedish by Willson-Broyles, this is Schulman’s first U.S. publication. In a frame story anchoring the narrative, three brothers have convened, after a long absence, at their family cabin on a lake to scatter their mother’s ashes. In the mind of protagonist Benjamin, the middle brother, events and memories spiral and circle in flashback upon flashback—it’s a take-no-prisoners kind of nonlinearity. During childhood summers at the lake, Benjamin, his aloof older brother, Nils, and irascible younger brother, Pierre, get into various scrapes. “Mom and Dad,” as they're always called, exercise minimal supervision between frequent “siestas” and extended cocktail hours, leaving the children to disappear for hours in the woods and nearly drown in the lake. Their parents’ volatility and inconsistent care have fostered an awkward semi-estrangement among the adult siblings, which, at the water’s edge, erupts into a brawl, with their mother’s urn weaponized. Shocks escalate, from the boys’ unthinking cruelty toward a fish to a disastrous family outing on Midsummer Eve to the heist of Mom’s ashes from a crematory. All this may seem over-the-top, but Benjamin’s meditative perspective lends gravitas to the proceedings. His memories hover over one incident he recoils from confronting, even questioning his own sanity to avoid it. A pivotal figure in the novel is the family dog, Molly, a bellwether of unease; she is anxious and seems to only trust Benjamin and Mom. The behavior of Mom in particular is portrayed as classic alcoholic personality disorder; but it slowly dawns on the reader that there is far more to it than that. A final truth emerges, forcing the reader to reevaluate all that has gone before.

A novel of family dysfunction that veers into startling and original territory.