by Alex Tresniowski ‧ RELEASE DATE: Feb. 9, 2021
High-velocity historical true crime lacking supporting data that would have enhanced its credibility.
Journalist Tresniowski links the work of a fearless detective and the anti-lynching crusader Ida B. Wells as he reconstructs the case of a Black man arrested on a trumped-up murder charge.
This suspenseful, well-written true-crime tale will be an eye-opener for anyone who assumes that after Reconstruction, lynching remained a serious threat only in the South. The author tells the story of Thomas Williams, a Black odd-jobs man wrongfully accused of murdering Marie Smith, a 10-year-old White girl who was also sexually assaulted, in Asbury Park, New Jersey, in 1910. Shortly after the crime, the police arrested Williams on circumstantial evidence and had to sneak him out of town to protect him from a lynch mob. With the consent of the police, a businessman skeptical of Williams’ guilt hired private detective Raymond C. Schindler—later praised as “the most brilliant and charismatic investigator of his time”—who developed his own theory of the case. In order to get a more plausible suspect to confess, the resourceful Schindler set up an elaborate sting, full of cloak-and-dagger intrigue that unfolds with mounting tension. Wells wasn’t involved in the Asbury Park murder, but the author gives that case a broad context by weaving in accounts of her anti-lynching campaigns and of her role in founding the NAACP, which helped with Williams’ legal defense. Unfortunately, Tresniowski supplies no endnotes, bibliography, or other data on how he reconstructed the details of his narrative, and their absence leaves open to question some aspects of his story. The section recounting the killer’s confession will be painful reading for sexual assault victims or parents of sexually abused children. Still, Tresniowski more than proves his point that early in the 20th century, “even in a northern state like New Jersey, a black prisoner had no guarantee of any safety in jail anywhere.”
High-velocity historical true crime lacking supporting data that would have enhanced its credibility.Pub Date: Feb. 9, 2021
ISBN: 978-1-982114-02-2
Page Count: 336
Publisher: 37 Ink/Simon & Schuster
Review Posted Online: Nov. 25, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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by Laura Schroff & Alex Tresniowski ; illustrated by Barry Root
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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