Gently but invincibly obtuse, von Igelfeld is too much an elephantine cartoon to inspire the love readers have given...
Prolific McCall Smith, who’s unaccountably neglected Professor Dr. Dr. (honoris causa) (mult.) Moritz-Maria von Igelfeld ever since the trilogy that ended with At the Villa of Reduced Circumstances (2004), presents five more adventures for the eminent but clueless philologist.
“Adventures” is a relative term, for von Igelfeld’s life, like Kant’s, is so regulated that the slightest departure from his normal routine or the comfort zone circumscribed by his advanced but recondite knowledge of Portuguese irregular verbs can be traumatic. Merely reading over an announcement that Professor Dr. Dr. Detlev-Amadeus Unterholzer, his incomparably less-celebrated colleague in Regensburg’s Institute of Romance Philology, has been shortlisted for an award is enough to launch him in an unaccustomed direction—this time to Berlin, where he asks the Director of the Leonhardt Stiftung as delicately as he can whether there might possibly have been some mistake among the nominating committee. Subsequent episodes bring von Igelfeld together with Kitty Benz, the well-heeled widow to whom his colleague Professor Dr. Dr. Florianus Prinzel and his wife, Ophelia, are bent on introducing him, and then to an intimate lunch with Frau Benz at Schloss Dunkelberg, the modest home that features a ceiling painted with a scene depicting her late husband’s entrance to heaven. Although this episode (spoiler alert) leaves von Igelfeld as unmarried as ever, he undergoes a different and utterly unexpected sort of change when he takes a group of graduate students on a study trip to an Alpine retreat—an experience that makes him a celebrity invited to give an after-dinner talk to a gathering of Hamburg businessmen in the final (for now) story.
Gently but invincibly obtuse, von Igelfeld is too much an elephantine cartoon to inspire the love readers have given Precious Ramotswe and Isabel Dalhousie.Pub Date: Dec. 26, 2012
ISBN: 978-0-307-27989-7
Page Count: 224
Publisher: Anchor
Review Posted Online: Oct. 28, 2012
Kirkus Reviews Issue: Nov. 15, 2012
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Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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