A sophisticated wordless book for perceptive children.
In this wordless tale, Lola and a great white wolf encounter a blue butterfly on a train ride.
Outside the train, a large red bird seems to guard Lola, a light-skinned protagonist of indeterminate age clad in a black dress and scarf. The bird accompanies Lola and the wolf when they leave the train and follow the butterfly. Three small, striped creatures with unusual twisted horns catch the butterfly and bring it to a tree, hung with many other cages holding red butterflies. The trio of friends arrive to see this sight, both beautiful and very sad, with its allusions to the loss of freedom and movement, and work to rescue the winged insect and inspire the horned creatures to release the others. Boiger employs pencil, colored pencil, and watercolor pencil to create a multitude of feathery, curvilinear, soft strokes that compose the various forest scenes, the animals (both real and imagined), and the human being, seen from different perspectives. This tale could invite multiple viewings, if only to struggle with its meaning. The story can be seen as an allegory about friendship, love, and liberty, but will young readers put the effort into understanding its subtle message? Perhaps with careful discussion with an adult reader, a child will enjoy the aesthetic pleasures of the book’s delicately textured illustrations and discern its significance. (This book was reviewed digitally.)
A sophisticated wordless book for perceptive children. (Picture book. 6-8)Pub Date: Aug. 29, 2023
ISBN: 9780399165900
Page Count: 40
Publisher: Philomel
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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