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BELLE GREENE

An engaging story about a brilliant woman who risks everything.

In this fictionalization of a true story, a young Black woman named Belle da Costa Green passes for White and rises to become the first director of J.P. Morgan’s library.

In this extensively researched historical novel, we see Belle from the time she’s a young woman born Belle Greener, daughter of the first Black man to graduate from Harvard. After he abandons his family, Belle makes a pact with her mother and siblings to change their surname and pass for White. They swear secrecy. None will have children, for fear of being found out: “Six irrevocably intertwined fates, and if any one of them were to fall short, it would bring the others down with it.” Brilliant, bookish, and unsentimental, Belle gets a job at the Princeton library, where she meets Junius Spencer Morgan and eventually finds her way to his uncle J.P., who’s looking for someone to oversee his new project. Belle’s literary expertise helps her secure Morgan’s trust, and he rewards her with the responsibility of shaping the library’s collection. Belle closes herself off to thoughts of her heritage or her former life. Her focus on success remains singular. Morgan is mercurial and possessive. Belle is formidable. She’s torn by twin feelings: “the intoxication of feeling herself to be free, and the frustration of having to submit to the tyranny of her master.” Eventually, Morgan sends her to Europe to bid on items at auction; the library is entirely hers to shape. Yet she’s aware at all times that she has “a career based entirely on the protection of an individual more rich and powerful than [herself].” Tension builds as Belle tries to avoid losing the career that supports her family. As she tries to outbid the other collectors of the day in a new world that’s full of wealth and eager to grab up the world’s treasures, she presents a carefully shaped persona. She adopts a new background because she believes it’s the only way to succeed in a broken system. Passing for White puts Belle’s life at risk every day. She’s consumed by the library and her secret; scenes with her real-life historical counterparts are fleshed out with dialogue drawn from primary sources such as letters. Occasionally these conversations feel stilted, but Belle's story is so exceptional that readers won’t mind.

An engaging story about a brilliant woman who risks everything.

Pub Date: June 14, 2022

ISBN: 978-1-60945-758-7

Page Count: 480

Publisher: Europa Editions

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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