A Regency with old-school charm and newfangled sensibilities.
Proposing to the wrong earl leads to the right love match.
Those in London society who have met Miss Lydia Hope-Wallace know her only as a painfully shy, absurdly wealthy spinster. That’s because almost no one knows that she’s also responsible for the radical pamphlets published by her anonymous alter ego, “H,” on topics like universal suffrage and the right to divorce—not even the Earl of Strathrannoch, with whom H has been corresponding for several years. As a result, things are a bit awkward when she sneaks north to Scotland to propose to the Earl, only to find, when she arrives at his castle, that he actually doesn’t know Lydia or H, and someone else has been writing to her under his name. Arthur Baird, the earl, quickly realizes that his brother, Davis, has been masquerading as him. Though in her embarrassment Lydia tries to escape, the unexpected chaos of a stampeding herd of zebras provides her with a chance to reconsider, and she decides to help Arthur figure out the mystery behind his brother’s behavior. They are almost immediately attracted to each other, and though Arthur is loathe to get involved with a woman he thinks belongs to his brother, circumstances soon lead them to pretend to be newlyweds, which leads to a series of red-hot encounters and allows both to imagine what it might be like to actually marry. This sequel to Ne’er Duke Well (2024) brings more political intrigue and suspense to the world of the woman-run Belvoir’s Library, with a similar heat level and comedic sensibility. Though the plot is a bit disjointed, the almost-slow-burn chemistry between Arthur and Lydia—and the scorching scenes that follow—keep the pages turning. With the help of a lovely Scottish backdrop (and accents), Vasti’s fans, as well as those looking for a post-Bridgerton story, will be pleased.
A Regency with old-school charm and newfangled sensibilities.Pub Date: Jan. 21, 2025
ISBN: 9781250910967
Page Count: 352
Publisher: St. Martin's Griffin
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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