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THE LAST CAVALIER

BEING THE ADVENTURES OF COUNT SAINTE-HERMINE IN THE AGE OF NAPOLEON

A big book, and a pleasure for anyone who thrills at the likes of D’Artagnan and company.

A hit from the vaults: Dumas père’s final work, reconstructed from 140-year-old newspapers.

Dumas is renowned, of course, for swashbuckling tales such as The Three Musketeers and The Count of Monte Cristo, studded with cliffhangers and moral lessons lightly delivered. This title is of a piece, the wrinkle being that Dumas wrote it, à la Dickens, as a newspaper serial and was far from finishing the story when he died. Dumas scholar Claude Schopp, whose literary detective work is responsible for this book, published in France in 2005, hazards missing links and provides the closing chapters, working from Dumas’s notes; it’s a neat bit of literary sleight-of-hand. While telling a grand tale of adventure, Dumas reminds his readers that the glorious France of the Napoleonic era had plenty of inglorious moments. His Napoleon is smart and power-hungry, as he announces in the opening sentence: “Now that we are in the Tuileries…we must try to stay.” Easier said than done, for Napoleon is surrounded by enemies, mostly of the scheming-politician variety, and distracted from his duties by his wife’s lavish spending; there are wars to fight, too, and much else to be done. Enter the noble Saint-Hermine, stripped of his title, who, chapter by chapter, hacks his way across land and sea to redeem himself at places such as Trafalgar, where Dumas movingly depicts the death of Lord Nelson and breaks the fourth wall in the bargain (“It seems to me that one of the greatest warriors the world has ever known should be accompanied all the way to death’s door, if not by a historian, at least by a novelist”). Hermine has his enemies, too, and even a few friends, and sometimes both at once, among them the only man whom Napoleon fears—ah, and therein hangs a tale.

A big book, and a pleasure for anyone who thrills at the likes of D’Artagnan and company.

Pub Date: Nov. 1, 2007

ISBN: 978-1-933648-31-6

Page Count: 752

Publisher: Pegasus

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2007

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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