A pensive work that incorporates international history, compelling characterization, and poetic prose and will appeal to a...
A man at the height of a law career recalls his youth in his Iranian homeland in this novel.
New York City–based attorney Montagu (Intellectual Property, 2012), who’s also a visiting faculty member of Princeton University’s comparative literature department, crafts an immersive tale of identity, sexuality, and self-discovery featuring his alluring protagonist, Eric Richardson. The three-part story—which refers to the ancient riddle of the Sphinx regarding the three eras of man (infancy, adulthood, and old age)—employs a smooth, lyrical prose style that ably balances history and beguiling fiction. It begins with Eric as a youth growing up in Tehran in the 1970s. Then named “Keyvan,” he was a child of divorced parents who enjoyed a comfortable life as the area’s oil and real estate markets boomed. The narrative fills in the background of Keyvan’s family and of his own coming-of-age, which is “punctuated by personal, rather than political dramas,” the narrator notes, even as civil unrest increases in the streets. Eventually, the shah goes into exile as the Iranian Revolution gains momentum. Montagu’s depiction of Keyvan’s departure from Iran in 1978 is nail-bitingly suspenseful as he clandestinely travels with his mother across borderlands with heavily guarded checkpoints. The second section follows Keyvan, now using the name “Eric,” through the 1980s, his upbringing in France, and his arrival at Princeton University. There, he receives an Ivy League education while navigating a new way of life on campus. As the social aspects of school life, and Eric’s increasing self-awareness about being bisexual, come into play, Montagu writes eloquently and tastefully of several intense trysts that Eric has with fellow student Mark, whom he’s tutoring in French. Readers will be drawn in as the protagonist struggles with his sexuality, falls in love with a man whose feelings differ from his, and tries to find meaning and direction after a sudden, catastrophic revelation. The concluding section starts with Eric having graduated from law school. He’s now gainfully employed at a leading New York City law firm; he’s also married to a woman and is a father to two daughters. Later, it’s revealed that he hadn’t told his wife that he was bisexual. Interestingly, the reliability of Eric as a narrator is undermined by other revelations as the novel comes to an end. These unexpected elements will cause readers to question the validity and the veracity of his entire story. Overall, though, the book will appeal to readers who are looking for a unique tale of self-realization that’s introspective, reflective, and philosophical. At the same time, the book provides an authentic and vividly described history of the Middle East, of the wide-ranging reforms that the area has experienced over the years, and of Islamic culture. The combination of these elements results in a novel that’s engrossing and educational—as well as one that provides some food for thought in its final pages.
A pensive work that incorporates international history, compelling characterization, and poetic prose and will appeal to a wide variety of readers.Pub Date: April 2, 2019
ISBN: 978-1-73260-210-6
Page Count: 382
Publisher: Persepolis Press
Review Posted Online: April 15, 2019
Kirkus Reviews Issue: May 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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