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THE REMAINDER

Thanatofiction at its best and a debut that leaves the reader wanting more.

First novel by a Chilean literary scholar who serves up a centrifugal story of death, history, and mathematics.

Felipe Arrabal, a young man living in Santiago, and his friend Iquela have an unusual ability: They can see the dead, legions of whom are to be found in what he describes as “the strangest of places: lying at bus stops, on curbs, in parks, hanging from bridges and traffic lights, floating down the Mapocho.” The dead are everywhere, and Felipe uses “apocalyptic maths” to try to account for them all, millions on millions, their number added to dramatically by the murderous military government of Pinochet and company. Iquela’s heart goes aflutter when she meets Paloma, an ever so cool young woman who has come to Santiago from Berlin; she smokes, has blonde hair, looks tough, and knows the ways of the world. Paloma is so mysterious that a cop wonders whether to bust her for smoking underage “or let her do as she pleased.” Clearly Paloma does what she pleases most of the time, raised, like Iquela, in a home that has deep, hidden roots in the anti-Pinochet resistance movement. “We were so young,” laments Iquela’s mother, looking back on the day she met Paloma’s mom, who, alas, has died—and now her body has gone missing somewhere on the other side of the Andes. She might be anywhere, Iquela observes: in an airplane hangar, in a morgue, back home in Berlin, or “locked inside the photograph hanging on the wall of my mother’s dining room.” Clueless, the three go on a winding journey in search of the wayward body, adding “an improvised inventory of corpses” to Felipe’s endless calculations. The story is told matter-of-factly, with a few hints of magical realism layered in, especially as it draws to a close: They might be angels or Valkyries, perhaps ghosts themselves, but whatever they are, they’re memorable companions on a strange trip.

Thanatofiction at its best and a debut that leaves the reader wanting more.

Pub Date: Aug. 6, 2019

ISBN: 978-1-56689-550-7

Page Count: 224

Publisher: Coffee House

Review Posted Online: May 12, 2019

Kirkus Reviews Issue: June 1, 2019

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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