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MY MOM, MARIJUANA, AND THE STONING OF SAN FRANCISCO

A sometimes-sad yet stirring love letter to San Francisco filled with profundity and pride.

The unheralded story of San Francisco’s trailblazing “Brownie Lady” plays out across more than 20 tumultuous years of the city’s often tragic history.

Volz’s mother, Meridy, and father, Doug, may have been complicated people, attempting to build a family during chaotic times in the Bay Area, but they were especially well suited to create and dispense delicious baked goodies heavily laced with palliative marijuana. By simple virtue of her birth, the author became an “accomplice” in Sticky Fingers Brownies, the family business that at one time was cranking out more than 10,000 brownies per month. The experience of accompanying Meridy on perilous brownie runs throughout the city in the 1970s and ’80s, when growing a single marijuana plant was a felony offense in California, made Volz an eyewitness to an unprecedented revolution in American culture that continues to reverberate today. The author combines a journalist’s eye for detail with a storyteller’s sense of humanity to chronicle all the incredible highs and lows, both public and private. The dissolution of her parents’ relationship dovetails with San Francisco’s more public trauma, including the Jonestown Massacre, the assassination of Harvey Milk, and the outbreak of AIDS. “Faced with bureaucratic rigidity, people with AIDS broke the law to self-medicate with cannabis,” writes Volz. “Dealers became healers." Sticky Fingers may have started off as a goofy piece of psychedelia wrapped up in tight, little squares, but the business soon became indispensable in providing necessary relief for stricken young men who were inexplicably wasting away from a little-understood disease while still only in their 20s and 30s. The author’s firsthand depiction of AIDS and its devastating initial impact on San Francisco’s residents rings with epic tragedy. Thankfully, there are plenty of triumphs in the Sticky Fingers saga as well, and Volz herself embodies just one of them.

A sometimes-sad yet stirring love letter to San Francisco filled with profundity and pride.

Pub Date: April 20, 2020

ISBN: 978-0-358-00609-1

Page Count: 432

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Jan. 1, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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